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by PopMatters Staff

10 Aug 2009

We Are Golden
Releasing: 22 September

British pop star Mika follows up his 5.6 million selling hit debut Life in Cartoon Motion with We Are Golden this fall. Mika trekked to L.A. to record the tunes for the new album and Greg Wells, who has worked with Pink and Rufus Wainwright, manned the production booth. Judging from the debut video “We Are Golden”, we’re in for more catchy pop with more than a trace of Freddie Mercury-esque vocals.


Standard Edition
01 We Are Golden
02 Blame It on the Girls
03 Rain
04 Dr John
05 I See You
06 Blue Eyes
07 Good Gone Girl
08 Touches You
09 By the Time
10 One Foot Boy
11 Toy Boy
12 Pick Up Off the Floor
13 Lover Boy (bonus track)
14 Lady Jane (iTunes bonus track)

Deluxe Edition: Disc 2 Mika Live at Sadler’s Wells
01 Grace Kelly
02 Lady Jane
03 Stuck in the Middle
04 Lonely Alcoholic
05 Blue Eyes
06 Toy Boy
07 Billy Brown
08 Good Gone Girl
09 Over My Shoulder
10 Big Girl (You’re Beautiful)
11 Love Today
12 Blame It on the Girls
13 Happy Ending
14 Lollipop
15 My Interpretation
16 Rain
17 Relax, Take It Easy

by PopMatters Staff

10 Aug 2009

Scotland’s Glasvegas dropped by Ferguson’s show last Thursday night before making their way to Chicago for Lollapalooza.

by PopMatters Staff

10 Aug 2009

Neo-retro-soul diva Sharon Jones appeared with her Dap-Kings on Craig Ferguson’s show last Friday night to play the title track from her 2007 album. As always, she was smokin’.

by Bill Gibron

10 Aug 2009

One could easily argue that cooler, more intelligent heads finally prevailed. After little over a year of lagging ratings and regular reputation hits, Disney has finally pulled the plug on its failing “youth” update of the classic Siskel and Ebert review series At the Movies. Replaced were the quote-whoring team of Ben Lyons and Ben Mankiewicz, with an announced pairing of Chicago Tribune’s Michael Phillips and the New York Times’ A. O. Scott taking their place. The change represents the House of Mouse’s backhanded admission that their attempt at “dumbing down” the show for a perceived anti-critic demographic was about as successful as Will Ferrell taking on a classic kid’s show from the ‘70s. As flops go, it’s not a complete embarrassment, but it does speak to a bigger issue infiltrating the media today.

There is a mandatory mantra, spread among studios, film geeks, geek-oriented websites, and the members of messageboard nation that film critics don’t matter. They are a marginalized bunch, believed to be out of step with what mainstream audiences want, betrothed to their beloved arthouse fare while forsaking equally important genres like horror and/or family films. They are caricatured like Neo-con Republicans - white, aged, and about as hip as a mix tape from Dick Cheney - and blamed for every star-studded failure, regularly ridiculed for every cinematic rarity when personal opinion consensus just doesn’t match the box office returns (right, Transformers: Revenge of the Fallen?).

by Matt Mazur

10 Aug 2009

This new Terry Gilliam film will surely get major play because it features the final performance of Heath Ledger, but that aside, the visual side of the movie looks mind-blowing. Add in Colin Farrell, Johnny Depp and Jude Law stepping in to help out with the lead role (the film had not yet finished shooting when Ledger died) and Tom Waits as the devil and there just might be something worth checking out in there—though it has been a long time since Gilliam directed something great.

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