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by shathley Q

10 Jun 2009

Even though bearing the mantle of the Scarlet Speedster, Wally West was always reluctant to associate himself with the Flash Museum. For Wally the Museum was a debt of honor, paid to his uncle, mentor and Flash before him, Barry Allen who died saving the universe. The Flash Museum, at least to Wally, was a shrine he would forever remain distanced from. Struggling to keep his own achievements from rivaling those of Barry’s (and to Wally’s mind, thereby replacing his mentor), Wally would continually fail to appreciate the full legacy of the Flash and his role as icon for a new generation of Central City residents.

Memories never die

Memories never die

But with the destruction of the Flash Museum, Wally turns a corner. The physical objects that connected him with both his youth and his mentor have now been decimated. Palpably, a connection with Wally’s legacy has been severed. It is in his state of distress that Golden Age Flash Jay Garrick (whose boots and tin helmet are modeled on the Roman god of swiftness, Mercury) offers Wally some comfort. “Memories never die”, he reminds Wally, “They were just statutes”.

Jay’s words will prove prescient. By the end of events detailed in Blitz, Wally will confront possibly his greatest mistake; revealing his secret identity to the world. It was this decision that would ultimately cost him the lives’ of his unborn twins, at the hands of supervillain Professor Zoom. In an attempt to protect his family, Wally will forego his alter ego as the Flash. It is at this point that Barry Allen returns from the distant future. Here to offer Wally one last piece of advice, Barry will then travel back even farther in time to sacrifice himself while saving the universe. “But that’s ok, my race is run”, he admits to Wally, underlining his own heroism.

There should always be a Flash, Barry reminds Wally. The Flash stands as a symbol that people are worth saving, time and again. And with the Spectre at his side, Barry offers Wally a way to continue being the Flash, yet reclaim his secret identity. The world will forget the identity of the Flash. And along with it, forget the heroism of Barry Allen. In his final moments, Barry Allen makes an impassioned plea for the ideals of heroism. Geoff Johns writes a single panel that offers Barry Allen a final act of heroism, one perhaps even greater than saving the whole world.

by PopMatters Staff

10 Jun 2009

Felix Da Housecat is releasing his new album He Was King on August 25th. He’s celebrating Prince, as we just did last week, with the upcoming July video “We All Wanna Be Prince”. In the meantime here’s an MP3 and video for “Kickdrum” from the new record.

Felix Da Housecat
“Kickdrum” [MP3]
     

by Matt Mazur

10 Jun 2009

After that lame-brained publicity stunt with Eminem at the MTV Movie Awards, Sacha Baron Cohen has a lot to make up for. Thankfully, these Bruno clips look like a step in the right direction. Will the movie be as funny and offensive as it so desperately wants to be? The jury is out…

by Diepiriye Kuku

10 Jun 2009

The Thanksgiving scene in the movie version of The Color Purple was a fake out, like Luther Vandross’s false ending on A House is Not a Home. The music slows to a whimper, and Luther chants ever so softly. Then, he brings it on home.

Ella Fitzgerald does the same thing on How High the Moon. In 1966’s The Stockholm Concert with Duke Ellington, Ella performs some of her grittiest skats.

“I guess I better quit while I’m ahead,” Ella lightly croons after what sounds like improv- a dynamic jam session between a stage chock full of greats. Then, the beat drops to a snare and Ella digs in with a real nasty groove.

While the drum drones, Ella is growling and trilling, riffing and ranting like a trombone, two trumpets and a sax together. One can almost imagine her shoulders squeezing and releasing like a tense metronome as the snare races. It’s funkier than the Miles Davis Quintet, and Ella even does a great Miles!

by Joe Tacopino

10 Jun 2009

Pavement’s Mark Ibold joins Sonic Youth on bass as the band give a raucous performance of “Sacred Trickster” off their new, Matador-sponsored album.

//Mixed media
//Blogs

Best of the Moving Pixels Podcast: Further Explorations of the Zero

// Moving Pixels

"We continue our discussion of the early episodes of Kentucky Route Zero by focusing on its third act.

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