Rose’s adaptation of the revered novel by Leo Tolstoy stars Danny Huston, Elisabeth Rohm, and Anjelica Huston. You can find it now playing through 9/22 exclusively On Demand via IFC Festival Direct.
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Following on from the October 2002 cover-dated ‘Inside Out’, Mark Waid continues Mister Fantastic’s secret confession to his daughter Val: ‘Without proper preparation or shielding he took his friends through a wave of radiation that made them all something other than human. His guilt was unbearable and deserved. These were the people he loved, and he’d destroyed their lives. Thanks to him, they were fated to be freaks, lab specimens or worse. Unless he changed that fate somehow. Unless he made the world see them for what they were: three of the best and bravest people anyone could hope to meet. So he refused to let them operate in secret. He gave them a home in a city of eight million. He gave them costumes. And a flying car. And he encouraged them to parade around with some pretty outlandish names. “Mister Fantastic”. Does that sound like something anyone would really want to call themselves? No but that’s the kind of thing that made headlines. And t-shirts. And action figures. He knew that would keep people from fearing them. You see glamour and fame weren’t options. They were necessities. Because by maybe turning his friends into celebrities he could be forgiven for taking their normal lives away. Someday.’
‘Inside Out’ marks the launch-issue of a new Fantastic Four creative team, writer Mark Waid reuniting with longtime Flash collaborator Mike Wieringo. Waid crafts a story about the seemingly unique mid-life crisis of Fantastic Four team leader, Reed Richards. It is a crisis that manifests as a desire for more media attention, a desire so deep that Richards hires a PR consultancy to promote a new image for Marvel’s First Family. But in a secret confession to his daughter Val, Mister Fantastic admits that it was always about the costumes and the celebrity; just not in the way most people imagine. Celebrity was their only tool to prevent a Frankenstein ending filled with pitchforks and torches. And in return, Reed Richards gave the world something entirely new; trailblazers on the road to tomorrow.
Despite the premise of HBO’s new show Hung being about a man’s overly-large sexual organ, it looks like the whole affair will be stolen, in true HBO fashion, by women: Anne Heche and the always-astounding Jane Adams look fantastic!
Between this film by Donnie Darko‘s Richard Kelly and the upcoming My Sister’s Keeper, it looks as though Cameron Diaz might be back in fighting shape, in terms of choosing interesting parts (in which case we will forgive her for the Vegas movie co-starring Ashton Kutcher). Whoever cast James Marsden as Diaz’s husband should get a raise, they make for a compelling, if impossibly gorgeous couple. Kelly’s Southland Tales was a bloody disaster, so keep your fingers and toes crossed that this one returns the director to some kind of glory.
When the Devil’s Loose
Releasing: 1 September 2009 (US)
These days it’s hard to decipher the line of demarcation between a great songwriter and a good one. It seems like that line is the taste of Bon Iver’s Justin Vernon, today’s modern indie folk hero, who has an impeccable knack for picking flawless openers. The one that sparked my interest most sincerely lay behind the Alabama bred six-string troubadour, A.A. Bondy, and his subtle stories of love, despair, and everything in between. “When the Devil’s Loose” is the lead single off the album by the same name (due out in September on Fat Possum) and shares a sense of melody analogous to that of his label companion, Andrew Bird, but the sonic palette itself falls in line more with the Southern tradition the label has always prided itself in. If “When the Devil’s Loose” is any indication of the rest of the record, then expect Bondy to be a household name from here on out.
01 When the Devil’s Loose
02 Mightiest of Guns
03 A Slow Parade
04 To the Morning
05 Oh the Vampyre
06 I Can See the Pines Are Dancing
07 False River
08 On the Moon
09 The Mercy Wheel
10 The Coal Hits the Fire
“When the Devil’s Loose” [MP3]
// Channel Surfing
"Season 12's best episode yet isn't perfect, but well-done, with an excellent swan song performance by Rick Springfield.READ the article