Check out new songs by Talib Kweli, Darc Mind and Honeycut.
Check out new songs by Talib Kweli, Darc Mind and Honeycut.
From the User’s Guide to Indian Films Intro
The movies described in the User’s Guide are the hit list of Indian cinema. They’re not only the best films of all time, but they give you the best glimpse of what Indians enjoy, their sense of tragedy and comedy, their aspirations, their regrets. In short, it’s a visual chronicle of Indian society in the last 50 years. Enjoy.
Week 6: Umrao Jaan
1981, Color, Hindi.
Dir: Muzaffir Ali
Perhaps the most successful commercial art film Bollywood ever made. Think of it as India’s answer to Memoirs of a Geisha coupled with the raw power of Jane Campion’s The Piano. It has it all—exquisite period costumes and sets, nuanced performances from classically trained actors, and a hauntingly beautiful score. Based on the fictional memoir of a 19th century tawayaf (prostitute or public woman) of Lucknow, Umrao Jaan chronicles the life of its title character, the most celebrated courtesan of her day, from her childhood up until the British invasion of Lucknow during the Sepoy Rebellion of 1857. Rather than simply vilify men for their treatment of women, the movie celebrates the resilience of women who are able to succeed within these patriarchal restrictions. Director Muzaffir Ali’s attention to detail in recreating the heady atmosphere of 19th century Lucknow is so precise you feel like you’re watching documentary footage. But the strength of Umrao Jaan lies in Rekha’s blessedly controlled and intelligent performance in the title role.
As you may have heard, Robert Christgau was fired from the Village Voice last week, after working there for some 40 years, changing and shaping the entire dialog of music criticism. While it’s certain that Christgau will miss his long-time home, it’s also certain that the Voice will not be the same without him.
Symptomatic of a Greater Ill
Download “Outside Looking In” (MP3, 192kbps)
“Recorded from ‘95 to ‘97 for Loud/RCA, yet never before released, Darc Mind’s Symptomatic of a Greater Ill is a record almost without comparison in the history of NY rap. Anticon is profoundly grateful to be slipping this rare record to the wider world.”—Anticon Records
Buy at iTunes Music Store
The Day I Turned To Glass
Download “Shadows” (MP3, 192kbps)
“A three-piece band pioneering a unique form of modern soul, Honeycut bridges classic song craft with orchestral instrumentation and cutting-edge production. Think Gnarls Barkley meets Squeeze meets Shuggie Otis.”—Quannum Projects
Buy at iTunes Music Store
Clark & Broadcast
Herr Bar (Reinterpretation / Improvisation) [MP3]
Sister Saviour [MP3]
Pity and Envy [MP3]
Casimir Pulaski Day [MP3]
It’s a week of masterworks at your local brick and mortar, as the ennui infused release calendar of the summer months gives way to more honorable, high brow product. With four titles on SE&L’s select list, Criterion proves once again that no company does considered preservation better than this DVD distribution dynamo. In addition, two recent entries in 2006’s race for the year’s best argue their individual claims to such a status. Toss in a familiar giant lizard from the ‘50s and you’ve got a diverse collection of wallet emptying essentials. Indeed, over the next few weeks, your entertainment budget will be ballooning as your bank account shrinks. The digital dog days are definitely over. Time to wallow in the wonderful excesses of a media maven’s dream. The selections SE&L will be picking up this week include:
Amarcord: Criterion Collection*
Considered by many to be Fellini’s final ‘masterpiece’ (the rest of his career would be marked by several noble failures) this 1973 memoir is actually a strange combination of fact and fiction. Using his real life hometown of Rimini as a backdrop, the Italian auteur devises a ‘year in the life’ narrative centering on the Biondi family, the rise of fascism, and the never-ending human pursuit of sex. Yet unlike his previous efforts such as Satyricon or Juliet of the Spirits, Fellini tones down the visual excess, finding the perfect cinematic tone between art and artifice. The result is a kinetic crazy quilt of a memoir, a movie that mixes memory and fantasy to illustrate how the past forms and defines us.
Brazil: Criterion Collection*
Who would have thought Monty Python’s ex-pat animator would turn into one of the most gifted moviemakers of the 20th Century? Anyone who saw his agitprop approach to Orwellian future shock, that’s who. Mythic even before it’s release, director Terry Gilliam battled his studio sponsor (Universal) to get the film released. When his pleas fell of deaf bean-counter ears, he went the route of the critic. A couple of awards later, and Brazil became his breakout film. While its overloaded imagery and reliance on physical effects may put off some modern moviegoers used to CGI candy, it’s the remarkable ideas behind the visuals that mark this film’s most unforgettable facets.
Every now and then, the action genre needs a good kick in the clichés. Leave it to French filmmaker Luc Besson (who executive produced here) to find a way of supercharging the standard gangland shtick. Borrowing a little of Escape from New York (in the future, parts of Paris are walled off to keep “undesirables” in check) and incorporating the unique ‘free running’ style of stunt work known as Parkour, this rollercoaster on rocket fuel goes for a hyperstylized energy that’s highly addictive. While its storyline may suggest one too many trips to the Scarface plot pool, its look it so wholly original, and its setpieces so inspired, such copycat complicity is forgivable.
Gojira: Deluxe Collector’s Edition*
Forget bad dubbing into English. Forget Raymond Burr as a kind of creature feature color commentator. In fact, forget everything you know about the traditional Toho titan and check out this attempt to reclaim his original motion picture majesty. This is the timeless Japanese monster movie classic the way it was meant to be seen. Those used to Perry Mason’s appearance amongst all the Tokyo destroying mayhem will be happy to see the American version included as well. Toss in a collection of commentaries and bonus features and you’ve got a DVD presentation that forever vanquishes the film’s Saturday afternoon kid vid matinee aura. Godzilla was meant to symbolize nuclear technology run amuck, and with this release, his b-movie babysitting days may finally be over.
Playtime: Criterion Collection*
Call him France’s answer to Charlie Chaplin and Buster Keaton, or a post-modern throwback to the days of silent comedy, but no one can deny Jacques Tati’s filmmaking acumen. A stickler for detail as well as a painstaking perfectionist, his films often took years to complete. A comic consideration of modern technology, Playtime began production in 1964…and didn’t wrap until 1967! Still, many feel it is one of Tati’s greatest achievements. Focusing on his classic character, the bumbling Monsieur Hulot, and his 24 hours in Paris, this pop art poem glitters with cosmopolitan gloss and delightful urban angst. Thanks to Criterion, this forgotten master’s unique vision is preserved for future generations to marvel over.
Seven Samurai: Criterion Collection*
Akira Kurosawa elevated Japanese cinema into a internationally recognized art form, and this is, arguably, his greatest achievement. A masterpiece of tone, detail and performance, this influential fusion of modern moralizing and typical Eastern traditions makes for a classic examination of duty and honor. Setting up layers of interaction – the samurai vs. the farmers, the collective vs. the oncoming attackers – and utilizing the inherent drama supplied via the mesmerizing monochrome cinematography, Kurosawa creates a tragedy of epic proportions, an incredibly human saga expanded out across the entire Asian horizon. And thanks to a new transfer from the classic film conservators, this director’s dynamic vision has never looked better.
The first, and so far best movie centering on the events of 9/11, United 93 benefits from a stellar storyline and upfront direction by Bourne Identity helmer Paul Greengrass. Instead of infusing outside elements into the narrative, or putting a particular political spin on the situation, Greengrass simply takes the circumstances that occurred on that doomed flight and lets them play out in all their undeniably nerve-wracking tension. What we end up with is a sensational, cinema vérité glimpse at what the final moments in a symbolic struggle between terror and heroism looked like. Sure, it’s depressing, the atmosphere of impending doom clouding all concerned. But there can still be catharsis in such filmic foreboding, as this memorable movie clearly demonstrates.
In a weekly addition to Who’s Minding the Store, SE&L will feature an off title disc worth checking out. For 5 September:
It took nearly six years of Midnight Movie cult celebrity for 20th Century Fox to pursue a sequel to 1975’s Rocky Horror Picture Show, and everything seemed right for a solid repeat success. The original was doing gangbuster business, playwright/songwriter Richard O’Brien was back to continue the pop song surreality, and director Jim Sharman was also on board, hoping to recapture the spirit of the first film. Yet instead of the continued kitsch and gender bending brazenness of the previous effort, O’Brien delivered a scathing slam on the modern media, turning Brad and Janet’s hometown of Denton into a giant TV station, and the paramours into participants/prisoners in some strange, sinister reality show. Ahead of its time in both approach and attitude, it naturally bombed. Still, the faithful have been waiting for this film’s return to the home theater fold. With the release of this 25th Anniversary DVD, it’s time for reconsideration may have finally arrived.