Last autumn, this vidblogger caught Ha Ha Tonka’s stunning show at a Bloodshot Records showcase in Brooklyn. They didn’t disappoint in Austin, either. Here, guitarist Brett Anderson talks a little about the band’s history. Ha Ha Tonka’s new album, Novel Sounds of the Nouveau South is out now.
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Five years ago this week the Streets released A Grand Don’t Come for Free, the follow-up to the critically acclaimed Original Pirate Material (2002). Adrien Begrand said back then “like Mike Leigh’s film High Hopes, like Pulp’s Different Class, A Grand Don’t Come For Free is a superb, perceptive portrait of everyday British life, completely devoid of any pretentiousness, and musically, though his beats are toned down, it cements Skinner’s status as a true original in UK music. The album spawned four singles, one of them (“Dry Your Eyes”) a #1 in the UK, and here are the videos.
“Fit But You Know It” (1 March 2004) - #4 UK
“Dry Your Eyes” (31 May 2004) - #1 UK
“Blinded by the Lights” (13 September 2004)
“Could Well Be In” (8 November 2004)
When I approached PopMatters about what has turned into somewhat of a revitalization of “Sources Say”, I already had in mind a few people I wanted to talk to about the issues this particular blog was slated to tackle. One of those people was Jason McIntyre, the man behind The Big Lead, a sports blog that also does a pretty good job at keeping an eye on both print and broadcast media.
McIntyre, a former assistant news editor at Us Weekly, started the blog along with his college friend David Lessa in 2006, and has since achieved somewhat of a superstar status within the sports blogosphere. The Big Lead has been cited numerous times on various ESPN platforms, has been profiled by—among other publications—Sports Illustrated and The Chicago Sun-Times, and, on average, welcomes in over two million visitors a month and around 25,000 visitors a day.
So for the man behind it all to take some time out of what must be a busy, busy schedule, and answer a few questions about the current state of blogs, newspapers and the like, is awfully kind. Should you have an extra five minutes to spare sometime within the next day or two, and you happen to love sports, you may want to venture over to www.thebiglead.com. For now, though, the following is the culmination of a Q&A e-mail exchange I was lucky enough to partake in with him about where he thinks this mess we call print media may end up. The following is both introspective and suggestive, and it all comes from someone who really is quite accomplished in the media world.
I will try and do this more as we go along with different individuals from all walks of media. But for now, please enjoy a quick interview with The Big Lead’s Jason McIntyre.
It’s all so unnecessary. When he made Terminator 2: Judgment Day, franchise founder James Cameron delivered the ultimate action statement on his killer from the future formula. Combining then state of the art F/X with the storytelling acumen that often surpasses the subject matter, the man who made Arnold Schwarzenegger into a certified superstar provided the kind of closer that defies “easy” sequelization. Proof arrived 12 years later with Terminator 3: Rise of the Machines, a wholly empty attempt at recreating the success of the first two films. And Fox has given a TV version the axe after a couple of successful seasons. Now Hollywood is back again, hoping it can resurrect the material and make it into a new commercial cash cow. Sadly, without the original artists at the helm, all we wind up with is hallow bombast - and far too much of it.
It’s 2018. The nuclear annihilation of the planet by Skynet - also known as “Judgment Day” - has occurred. There are packs of human beings left, but the machines, led by those android assassins the Terminators, are systematically rounding them up and wiping them out. Under the leadership of John Connor, the Resistance is trying to overcome the computer system that’s controlling these monsters. A shut off signal buried deep within the Skynet programming may be the key. In the meantime, someone named Marcus Wright wakes up to find himself in the future. He was originally part of a prison program helping cancer-ridden scientist Serena Kogan find a cure for her illness. Now, he’s part of a movement to keep mankind from dying out all together. Along with wannabe rebel Kyle Reese, he must make his way to Connor. Unfortunately, they all end up at Skynet, battling the faceless AI for control of the planet.
// Moving Pixels
"This is an interactive story in which players don’t craft the characters, we just control them.READ the article