Konami’s recently announced decision to publish Atomic Game’s Six Days In Fallujah has been making the controversy rounds and for good reason: it aims to recreate one of the worst battles in the Iraq War. In an interview with the Wall Street Journal the creators explain, “We’re not trying to make social commentary. We’re not pro-war. We’re not trying to make people feel uncomfortable. We just want to bring a compelling entertainment experience. At the end of the day, it’s just a game.” The creators are interviewing marines, civilians, and insurgents who were involved with the battle to recreate it as closely as possible.
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As if we aren’t getting hit over the head enough with Twitter hype these days, now artists are debuting music using the ubiquitous micro-blogging system. The Streets is releasing his latest songs to the public via his Twitter account and the first one on tap is “I Love My Phone”, which is perhaps the most appropriate title of a song in his career given his embrace of technology here.
“I Love My Phone” [MP3]
UPDATE: And here’s the second of the promised batch, “Trust Me”.
“Trust Me” [MP3]
Chuck Mead, the co-founder of alt-country’s BR549, releases his latest album Journeyman’s Wager on May 12th and features his usual eclectic blend of roots rock sources. “I Wish It Was Friday” has Mead bopping around town on a scooter to a honky-tonkish rockabilly tune. He’s got a packed tour schedule kicking off in May including a stop off at the Minneapolis State Fair in August, which you can check out after the jump.
David Lynch directed and animated the new Moby video “Shot in the Back of the Head” that Pitchfork TV has premiered. Moby talks about the new album and video on his MySpace page.
Tyson Synopsis from Sony Pictures Classics:
Tyson is acclaimed indie director James Toback’s stylistically inventive portrait of a mesmerizing Mike Tyson. Toback allows Tyson to reveal himself without inhibition and with eloquence and a pervasive vulnerability. Through a mixture of original interviews and archival footage and photographs, a startlingly complex, fully-rounded human being emerges. The film ranges from Tyson’s earliest memories of growing up on the mean streets of Brooklyn through his entry into the world of boxing, to his rollercoaster ride in the funhouse of worldwide fame and fortunes won and lost. It is the story of a legendary and uniquely controversial international athletic icon, a figure conjuring radical questions of race and class. In its depiction of a man rising from the most debased circumstances to unlimited heights, destroyed by his own hubris, Tyson emerges as a modern day version of classic Greek tragedy.