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Thursday, Sep 11, 2014
DJ Shadow and Cut Chemist forged their third turntable project, the 'Renegades of Rhythm Tour', from their careful curating of records from Afrika Bambaataa's collection.

If you are a fan of hip-hop, you owe it to yourself to catch the ‘Renegades of Rhythm Tour’ currently making its way across the states. For this event, two renowned turntablists, DJ Shadow (Josh Davis) and Cut Chemist (Lucas MacFadden) sifted through the historic and legendary record collection of Afrika Bambaataa to create a 90-plus-minute set encompassing all of hip-hop that they are currently touring (dates below). At New York’s Irving Plaza, Bambaataa himself was present in the balcony enjoying the proceedings and perhaps watching with a bit of diligence, given the duo were working with some rare acetates, demos, originals that he has owned, and maybe even performed with, for the past few decades. In an introduction, Shadow held up a record for the audience to show them the giant chunk missing from the near the edge, yet they still planned to spin it in their set. Also on site was hip-hop photographer Joe Conzo, both working from the pit alongside the media and displaying a gallery of his own legendary pieces of hip-hop history from the ‘70s and ‘80s in New York.


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Thursday, Sep 11, 2014
Washington, DC indie rock outfit Paperhaus is pleased to announce its self-titled full-length debut, to be released in January 2015.

At the end of January 2015, the Washington, DC band Paperhaus—comprised of the trio of Alex Tebeleff, Eduardo Rivera, and Danny Bentley—will release its debut, self-titled album.


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Wednesday, Sep 10, 2014
The ebullient, sing-along ready "Bad Country" is but one of many highlights from the Last Bison's forthcoming album VA.

As it turns out, the Last Bison isn’t just a particularly effective card to play in Cards Against Humanity; it’s also the name of a fine band hailing from “the marshes of southeast Virginia”, as its press materials describe.


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Wednesday, Sep 10, 2014
The innovative duo Teach Me Equals makes a strong case that maybe DIY punk and classical music aren't terribly far off with their debut, Knives in the Hope Chest.

On paper, it’s the sort of thing that will either make you groan or wince:who would think to bring together the worlds of punk—with its stripped-down, DIY ethos—and classical music—with its high-minded, through composed nature? The inspired duo that calls itself Teach Me Equals, however, proves that such a distinction might be spurious in the first place. Greg Bortnichak (cello, guitar, vocals) and Erin Murphy (guitar, violin, keyboard, and vocals) are making a bold declaration with their debut, Knives in the Hope Chest, which undergoes just that kind of genre-melding—although they are drawing from far more than just two spheres of influence in their songwriting.


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Wednesday, Sep 10, 2014
Minnesota Clay is a rocky but nonetheless promising start for legendary director Sergio Corbucci.

It’s hard not to compare Minnesota Clay (1964) to A Fistful of Dollars (1964). Not only were they filmed at the same time, released the same year, and both made by men named Sergio—Sergio Corbucci in the first case and Sergio Leone in the second—but they also used the same source material to tell similar stories. The source material used was Dashiell Hammett’s early hardboiled detective novel, Red Harvest (1929), along with Akira Kurosowa‘s cinematic samurai version of that novel, Yojimbo (1961). The stories told involve marksmen who, after arriving to towns in turmoil due to on-going gang wars, pin one gang against the other to bring gold to their pockets and peace to the citizens.


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