Latest Blog Posts

by Andrew Grossman

27 Aug 2015

American political life has reached an unenviable crossroads: we want government to be effective, but government has been ineffectual for so long that we can only fear what the shock of activity might bring. A line in G.K. Chesterton’s political treatise What’s Wrong with the World? aptly sums up this state of things: “We all agree that a lazy aristocracy is a bad thing, but we would not want an active aristocracy.”

Americans likewise face the interlaced problems of heartless inaction and imprudent action: we complain about partisan gridlock but forget the terrors wrought by eager consensus, from The Defense of Marriage Act, to the Patriot Act and the ceaseless wars in Iraq and Afghanistan. If solid bipartisanship can wreak irreparable harm, we might prefer despairing paralysis.

by Scott Interrante

27 Aug 2015

Girls’ Generation – “Party”

What’s great—or horrible, depending on your perspective (maybe a little of both?)—about the internet quickly shrinking our nostalgia cycle is that in 2015 you can get a song as clearly nostalgic for 2010 as Girls’ Generation’s “Party”. Specifically, the single has all the trappings of a Teenage Dream-era Katy Perry/Dr. Luke song: Fizzy synths, disco-lite guitar and slap bass, and a chord progression that cleverly avoids resolving to tonic. I didn’t know I could get pangs of nostalgia for auto-tuned vocals, but the subtle inclusion of the vocal processing effect when the girls sing “P-A-R-T-Y” is the perfect amount to bring the song to a different level. The lyrics too, focus on Perry-esque Summer fun, with a chorus about drinking and traveling to beautiful beaches around the world (“Lemon soju, tequila for me, mojito for you/Let’s go to Jeju, California, Rome/Let’s go to a white pearly beach with great waves”).

by Adrien Begrand

27 Aug 2015

The best thing about good powerpop is the immediacy of its rewards. When a musician totally nails a powerpop tune, it connects instantly, which is exactly what happens on Shane Tutmarc‘s wonderfully humorous new single “So Hard to Make an Easy Getaway”, which brilliantly echoes classic Nick Lowe in both lyrical wit and infectious melody.

by Jorge Albor

27 Aug 2015

Warning: This post contains spoilers for Everybody’s Gone to the Rapture.

I know what I want from Everybody’s Gone to the Rapture. I want someone to be angry at.

I know, I know, it’s an inspirational story in some ways. The latest game from The Chinese Room drops you into the sleepy little hamlet of Shropshire, a quiet rural town nestled in the Yaughton valley. There we discover everyone has disappeared, leaving clues to the their story scattered about in the form of memories, light trails projecting their last moments on earth like ephemeral home recordings.

by PopMatters Staff

26 Aug 2015

Eric Risch: Incorporating the American insouciance of Pavement with his native British stoicism, Bill Ryder-Jones, former lead guitarist from the Coral, abides on “Two to Birkenhead”. With a detached delivery and jaunty guitar tone, Ryder-Jones tempers the angst of garage rock without abdicating its potency. [7/10]

//Mixed media
//Blogs

Ubisoft Understands the Art of the Climb

// Moving Pixels

"Ubisoft's Assassin's Creed and Grow Home epitomize the art of the climb.

READ the article