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Thursday, Dec 14, 2006


Can you feel it? For those of you waiting to exhale after this exhaustive holiday season, the time for such a substantial sigh is just around the corner. Just a few more days and you can sit back and relax, letting the weeks of workaholic stress and materialistic fretting fall away like flakes of fresh, new fallen snow. At that very moment, when the commercialized competition to celebrate the season disappears, and the terror of facing a new year fiscally strapped has yet to arrive, you can entertain yourself with one of the motion picture offerings on your favorite pay cable channel – that is, if there is anything worth watching. Sadly, there is only one qualified title this week, and it’s a hard thinking drama with a staunch ideological agenda and scenes of George Clooney being tortured. Sounds like the perfect slice of Saturnalia heaven, right? Otherwise, the other movie channels are dragging out the dregs before 2007 arrives, and a whole new batch of bunkum can be foisted on a weary, worn out public. Maybe you’d be better off keeping that breath in for a little while longer. You’ll want all the energy you can muster to manage your way through the films being presented for the weekend of 16 December:


HBORebound

Apparently, Martin Lawrence has caught a bad case of Eddie Murphy-itis. He’s done the buddy pics, the stand up comedy concert films loaded with offensive content and ever-present expletives. He’s had the public meltdowns (similar to Eddie’s freakish fascination with Elvis), his poorly accepted attempts at action heroism, and his clueless comedic comebacks (Big Momma’s House 2???). Now, he’s going the family film route, following Dr. Daddy Doolittle Day Care all the way to the PG-13 or lower savings and loan. Here, we are supposed to believe that Lawrence is a famed basketball coach, demoted to helming a junior high school team after a public temper tantrum. Naturally, there are all kinds of lame life lessons and juvenile jokes about self-esteem and bodily functions to be found in this underwhelming effort. Lawrence better be smart with his next few projects or he will end up an afterthought in Hollywood’s bankability book – if he hasn’t already. (Premieres Saturday 2 December, 10pm EST).


PopMatters Review


CinemaxSyriana*

Talk about your major man crushes – George Clooney has done the near impossible in the world of entertainment. He has gone from low budget lameness (Return to Horror High, Return of the Killer Tomatoes) and silly sitcom stardom (Roseanne, The Facts of Life) to become the preeminent example of new Hollywood glamour – and he’s done so on his own unique terms. Mixing mainstream hits like Oceans Eleven with more artistic endeavors like this well-received political drama, Clooney has managed to build on his formidable fanbase, attracting both women and men to his occasionally arcane efforts. Even better, he’s fomulating a behind the camera oeuvre that’s even more impressive, including Good Night and Good Luck and the undervalued Confessions of a Dangerous Mind. Thanks to his turn here, he finally found the industry respect he craved, taking home an Oscar for playing the part of a CIA fall guy. It’s a searing, sensational performance, on par with his typical exemplary work. (Premieres Saturday 2 December, 10pm EST).


PopMatters Review


StarzFreedomland

This is a tough one. Frankly, how can you knock a movie starring Samuel L. Jackson and Julianne Moore, based on a terrific urban thriller by none other than Richard Clockers Price. Easy, put producer turned no-talent director Joe Roth behind the camera and watch the mediocrity fly! With a resume that screams substandard (Christmas with the Kranks, Revenge of the Nerds II: Nerds in Paradise) and a Price penned script that saw some substantial pre-production doctoring, it’s obvious that the cinematic stars were not aligned on this one. While the actors apparently managed to make their case and leave more or less unscathed, Roth is finally being regarded as the filmmaking faker he’s been all along. While his production credits continue unabated (and awful – he oversaw the Wayans’ worthless Little Man), there’s nary a sign of another stint behind the lens for this cinematic washout. Hurrah! (Premieres Saturday 9 December, 9pm EST).


PopMatters Review


Showtime BeyondThe Machinist*

Perhaps the most amazing thing about Christian Bale, besides the fact that he was once a cherubic child actor glorifying Stephen Spielberg’s criminally ignored World War II fable Empire of the Sun, is the significant career choices he’s made since maturing. Not only is he the new – and some say, picture perfect – Dark Knight, but he’s parlayed cult and commercial success into a string of significant offbeat pictures. While 2006 was a banner year for the 32 year old (he starred in The Prestige, Harsh Times and Rescue Dawn) this 2004 surrealist mystery saw Bale take a giant step into major Method acting territory. He dropped an alarming 60 pounds - from 180 to a staggering 120 – to play the role of a troubled factory worker dying of insomnia. Once the madness sets in, things go from dire to disturbed in this enigmatic psychological thriller. It may be hard to follow at times, but for Bale’s performance alone, this unique film demands any cinephile’s attention. (Saturday 9 December, 9:00pm EST)


PopMatters Review


 


ZOMBIES!

For those of you who still don’t know it, Turner Classic Movies has started a new Friday night/Saturday morning feature entitled “The TCM Underground”, a collection of cult and bad b-movies hosted by none other than rad rocker turned atrocity auteur Rob Zombie. From time to time, when SE&L feels Mr. Devil’s Rejects is offering up something nice and sleazy, we will make sure to put you on notice. For 15/16 December, the late, great Man of a Thousand Faces, Lon Chaney, is featured in:


The Unholy 3
This remarkable silent effort from Dracula‘s Tod Browning features the first real genre star of cinema, Lon Chaney, as a ventriloquist who teams up with a dwarf and a strong man to start a crime spree. (3:15am EST)


 


The 12 Films of Christmas

Like that lame little ditty we all find ourselves humming around this time of year, SE&L will select three films each week from now until the end of the holiday as our Secret Santa treat for film fans. Granted, the pickings are incredibly slim (how many GOOD X-mas movies are there, really?) and you may find a lump of coal in your cinematic stocking once in a while, but at least it beats endless repeats of Rudolph’s Shiny New Year, right? The three festive treats on tap for the week of 16 December are:


It’s a Wonderful Life
(NBC, 16 December, 8:00PM EST)
Frank Capra’s subversive holiday allegory (labeled as such by the FBI) is now a Yuletide tradition – decades after it’s initial box office failure.


National Lampoon’s Christmas Vacation
(USA Network, 17 December, 9:00PM EST)
A perfect example of one too many trips to the tired comedy well, this seasonal satire secured Chevy Chase’s descent into certified has-been status. 


How the Grinch Stole Christmas (2000)
(ABC Family Channel, 17 December 8:00PM EST)
Ron Howard rapes the legacy of Dr. Seuss by placing Jim Carrey in a live action remake of the classic Chuck Jone’s cartoon from 1966.


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Thursday, Dec 14, 2006

3 Faces of Danzig [Spencer Gifts, Hot Topic, comic book/specialty stores and Chaser website - $75 each]


For those very bad boys and girls who just love their ‘Evil Elvis’, their horrorpunk goth metal legend Glenn Danzig, here is a tender offering: dolls.  That’s right; soft (squeezable) vinyl Danzig dolls.  The spirit of daddy Danzig is captured here in these three 10” dolls, representing various incarnations over his prolific, broad, nearly 30-year singer/songwriter career: Danzig with no shirt on, but wearing that big-ass belt buckle and the instantly-recognizable upside-down cross medallion (from the album, Lucifuge); his Samhain stage (from Initium), covered in icky fake blood, and Misfit, looking pretty evil but at least not topless, but wearing a skull and crossbones t-shirt (from Walk Among Us).  In these latter two dolls, you get that oh-so-cool Devilock do, too.  Lest one feel overcome with Ozzy Osborne-like emotion when cuddling a Danzig and feel compelled to bite… beware: these dolls pose a choking hazard.


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Thursday, Dec 14, 2006

La Dolce Vita: Deluxe Collector’s Set [Koch Lorber - $79.98]


Though he made many fine films prior to 1960 (including Oscar nominated efforts like La Strada and I Vitteloni) Federico Fellini became an international superstar with the release of this jaundiced take on the jet set. Intoxicating in its visual finesse, and masterful in its message about the meaning of life, critics have long considered it one of the maestro’s most magnificent efforts. Long unavailable on DVD, a recent two disc release from Koch Lorber offered up a wonderfully sound technical package. Now, in this Deluxe Edition revamp, we are treated to sensational supplemental material and scholarly considerations that confirm Fellini’s status as one of cinema’s most important figures. All intellectualizing aside, this is still one of the best motion pictures of all time. [Amazon]


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Thursday, Dec 14, 2006

The Pretenders – Pirate Radio Box Set [Rhino - $56.00]


Hardly “middle of the road”; decades after their debut in the late ‘70s, the Pretenders’ sound carries nary a fleck of, “yeah, they were good, then”, been-sitting-on-the-shelf dust.  The best of this band’s work, and the transitions life demands of it, is captured in this collection of 81 tracks and 19 videos, and it’s so well crafted, so rock era-defying, it could very well shake your shelf ‘til it comes crashing down.  Chrissie Hynde, with her sweet, slow vibrato that has a touch of rough grain in it, may be the best rock vocalist for generations.  Her timing and expression is such that she could step into virtually any music genre and belt it out.  Indeed, Hynde could stand alongside the likes of great country singers like Patty Loveless and Tricia Yearwood and hold her own—she’s that good.


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Thursday, Dec 14, 2006

The Addams Family: Volume 1 [MGM - $29.98]


It goes without saying that The Addams Family is a product of its time. Viewed some 40 years later, the show is nothing short of luminous. It is superbly cast, brilliantly acted, and rebellious to a fault. What was weird and eccentric in 1964 is now nice and normal, the family’s main mantra of individualism and being true to oneself a coveted current cultural directive. It is easy to see what ‘60s audiences eventually dismissed about this wonderfully inventive comedy. The Addamses were radicals, rocking the boat of suburban conformity with their love of all things dark and dour. Thanks to MGM, and their initial DVD offering of the original black and white episodes, we can experience just how immensely entertaining this sadly underrated series actually is.


 


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