James Longley’s Iraq in Fragments is a meditation on chaos and coping, with its focus intently on Iraqis. From a close-up of 11-year-old Mohammed’s eye, looking out on city streets, to a long view of young Kurdish shepherd Suleiman, silhouetted by a setting sun, the documentary offers a range of views and reactions to the US occupation of Iraq. As interviewees struggle to imagine a future beyond the current, daily horrors, they are at once alike and disparate, furious and hopeful, resilient and outraged. The film provides specifics, details of hectic life among ruins, faces filled with dread, desire, and defiance. Whether looking out on empty streets or endless fields in Kurdistan, the film creates a sense of space. Whether cramped or expansive, the compositions are alive with movement, color, urgency. Marchers, worshippers, workers, men with guns: they all suggest that the film has only scratched a surface.
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Sports columnist Bondy captures the machinations behind the pivotal 1984 NBA draft; fate, chance, speculation (on target and off mark), and the flip of the coin, as luck would have it. Cultures, egos, and desires clash in this well-researched, slice of sports history. I’ve often thought some of the most entertaining storytelling could be found in sports writing. You’ll certainly found it here.
It is nearly impossible to objectively assess the magnitude of the impact that Saturday Night Fever had all over the world. Arguably, Saturday Night Fever is the movie that most radically altered and reshaped the many facets of popular culture. While it is true that other memorable films such as Star Wars (George Lucas, 1977) and The Rocky Horror Picture Show (Jim Sharman, 1975) were seminal, inspirational, and generated the avid interest of legions of fans worldwide, the influence of Saturday Night Fever was far deeper, multifaceted, and across a wider segment of society. Indeed, Saturday Night Fever not only revolutionized the film and music industries, but it also defined and dictated the dress codes and hairstyles of an entire generation. In an attempt to emulate the spirit of this flick, and for years to come, regular folks wore polyester shirts, platform shoes; bell-bottom pants, gold chains, and elaborated hairstyles. It has also been reported that during the last part of the ‘70s, John Travolta’s iconic white suit was the most popular in proms and other social gatherings. Clearly, even though Saturday Night Fever does not have today a huge and fervent fan following as the Star Wars saga does, it is also true that very few people ever dressed up like storm troopers or Jedi knights on a day-to-day basis. Therefore, it should not be a surprise that after nearly 30 years since its opening night, Saturday Night Fever remains the quintessential emblem of the ‘70s.
Every fantastic, outrageous, bizarre creature imagined by man (or child) has already been designed by nature and lived a life quite independent of our species, thank you very much. The sea holds seemingly impossible creatures of all shapes and colors: bony, gelatinous, vividly lit from inside as if by fiber optic cables, ugly as mud, terribly fierce and utterly ridiculous. Every creature the nature lover, the artist, or simply the imaginative has ever considered and rendered is captured here in gorgeous color and seemingly impossible photographic detail. This beautiful coffee table book will blow that special someone’s mind.
In 1969, Professor Richard Brown’s Movies 101 class began as a tiny gathering of NYU film students examining contemporary film as cultural discourse. Exemplifying the zeitgeist of “the film generation”, Movies 101 quickly evolved into phenomenon unto itself. Not only did studios begin to take notice and supply him with pre-release films to test their market potential, but, Brown was also able to wrangle the stars and directors into his classroom to discuss their respective projects. Movies 101 invites you to audit the course with a Special Edition four-DVD box set with interviews with recent guests including Martin Scorsese, Jennifer Aniston, George Clooney, Willem Dafoe, and Julianne Moore—and its certainly cheaper than tuition.
// Moving Pixels
"It's easy to dismiss blood and violence as salacious without considering why it is there, what its context is, and what it might communicate.READ the article