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by Jason Gross

3 Apr 2007

Hopefully not a late-April Fool’s joke, it looks like Arthur Magazine is coming back again.  An e-mail from editor Jay Babcock says: “I bought (publisher) Laris (Kreslins)‘s 50 percent interest in the magazine thanks to the efforts of family and friends. Now I own 100% and am moving forward with all Arthur activities as quickly as possible. Apologies for the interruption in service.”

by Bill Gibron

2 Apr 2007

Having spent the last eight months dishing out advice about the weekly plethora of DVD releases hitting the marketplace, SE&L has begun to sense some manner of merchandising pattern. It’s a ploy more problematic than the dreaded double dip and more irritating than the basic bare bones title. No, this new B&M blueprint could be labeled “2T2W” – translation: Testing the Want Waters. It seems like, more and more, major entertainment distributors are waiting (sometimes for several years) to measure the amount of interest the fans still have in a certain specific title. Then they will hold off releasing said movie/TV show until desire trumps design. Then, they can package up anything they want and guarantee some manner of sales explosion. This is clearly the case with our prime pick this week. Ardent admirers of this show have waiting so long for this series completing box set follow-up that they were ready to accept almost anything. And that’s exactly what they get the week of 3 April:

Twin Peaks: The Complete Second Season

All right, all right – it’s a TV show, so discussing it would be in direct contradiction to SE&L‘s FILM only mandates. But it’s also the by-product of cinematic genius David Lynch’s auteur imagination, so sue us. Many fans felt that this series jumped the proverbial killer fish when Laura Palmer’s murderer was finally revealed, and there are debates all over the ‘Net about the effectiveness of the finale (about as open ended as you can get, frankly). Between the cockeyed character conversions (Nadine now thinks she’s in high school???) and the Black Lodge/White Lodge mumbo jumbo, what started out as the most accomplished one hour TV drama in the history of the medium slowly de-evolved into a kind of surreal stunt series. Not even the influx of famous directors (including a much maligned pass by actress Diane Keaton) could quell the complaints. Still, as one of the many ‘holy grail’ releases that devotees have long hoped for, this is a must own DVD collection – flaws and all.

Other Titles of Interest

All That Jazz – Music Edition

Bob Fosse’s autobiographical deconstruction of the movie musical holds up today as one of the ‘70s last masterpieces, a movie of startling depth and personal exposure. Still, with a previous DVD release already on shelves, this double dip seems like a considered cash grab. With only a few song oriented extras differentiating the two packages, fans should really think twice before indulging in such a misguided marketing ploy.

Charlotte’s Web

Why it took so long to bring this beloved children’s classic back to the big screen – especially after the Oscar nominated success of the similarly themed Babe – is anyone’s guess. While many still prefer the animated version from the ‘70s – featuring a fabulous turn by the late Paul Lynne as Templeton the Rat – this is indeed a wonderfully inventive offering filled with wholesome family fun

Death of the President

Talk about your over hyped non-events. When this mock documentary about the assassination of George W. Bush was announced for inclusion at the Toronto Film Festival, tongues began wagging feverishly on both sides of the political fence. Words like “dangerous” and “treasonous” were tossed about. Then the movie was shown. Terms like “derivative” and “unexceptional” became the norm. Thanks to DVD, you can now decide for yourself.

Silent Partner

No one knew what to expect from this supposedly standard heist flick when it first hit theaters back in 1978. But thanks to magnificent work from Elliot Gould and Christopher Plummer, and some sequences of shocking, over the top violence (including one memorable moment involving a fishtank), this intriguing Canadian effort definitely deserves a wider audience. With its arrival on the digital format, here’s hoping it finds a warm home theater welcome.


Trying to trade on the chemistry displayed between the actors in Robert Altman’s masterful M*A*S*H*, Elliot Gould and Donald Sutherland are re-teamed to play secret agents trapped in some standard espionage events. Without the caustic political undercurrent present in the pair’s previous work together, many dismissed this off the mark merriment. But as flat out farcical comedies go, it’s a decent diversion.

And Now for Something Completely Different
Black X-Mas: Unrated Version

Forget about the fact that all commercial critics seem to hate horror. Ignore the reality that Bob Clark’s original is a far more startling experiment in fear. Take this remake for what it is and give Glen Morgan credit for bringing a decidedly personal purview to the motion picture macabre. Then simply sit back and enjoy this sensational old fashioned slasher film. In one of those ‘how quickly they forget’ situations, what would have been celebrated two decades before is now lambasted as dull and dumb.  But Morgan actually makes this update into something far more interesting – a look at familial discord taken to disturbing, disgusting extremes. By giving enigmatic killer Billy a backstory, including a particularly dysfunctional home life, we learn what would cause someone to be so vile…and so villainous. If you ignore the dimensionless nature of the victims and settle in for a good bloodletting, Black X-Mas will not disappoint.


by PopMatters Staff

2 Apr 2007



Our Haunt [MP3]

You’re Keeping Us Up [MP3]

Buy at iTunes

Dead Ones ft. Nas (Remix) [MP3]

All the Money [MP3]

Tape It [MP3]

Hideaway [MP3]

Dark Horse [MP3]

by Chris Justice

2 Apr 2007

Online Journalism Ethics – An Oxymoron?

As digital media blazes new trails and transforms itself, the need for fresh ethical standards grows more urgent with every deadline. At Poynter Online, Bob Steele has written “Helter Skelter No More: An Evolving Guidebook for Online Ethics,” which outlines one of the institute’s recent projects: to assemble professional journalists with experience in online journalism to establish a new Guidebook for Online Journalism Ethics. The project was triggered by a survey the Institute conducted that revealed what many already knew: deep ethical dilemmas exist when doing journalism online. And they are different than the ethical challenges print journalists frequently encounter. They include vetting the opinionated nature of “news” blogs; easing the tension between the speed of news delivery and the quality of news content; understanding the sophistication of digital advertising and its relationship to content; and tempering the growing need for more visual content, to name a few. The Golden Rule applauds these efforts and looks forward to reading that guidebook.

by Rob Horning

2 Apr 2007

Having just returned from a vacation at a resort hotel in the Caribbean, I found this WSJ article about exclusive resorts within resorts pertinent. The resort at which I stayed felt carceral to say the least—it was retrofitted into the site of an old fortress, and portions of it were literally cordoned off with barbed wire. Yet at the same time, an atmosphere of openness was built into the infrastructure of the place, with all the restaurants and bars and hotel services being outdoors. Just enough relaxed openness was suggested by this setup to allow the more imaginative tourists to pretend that they weren’t in a fortress and were instead integrated in some way with real island culture. The ability to relax at the resort seemed akin to the ability to enjoy TV shows with laugh tracks, or incoherent special-effects laden movies: It seems as though you have to be willing to do a lot of pretending and suspend a lot of disbelief to overlook the fact that the staff regards you with a mixture of contempt, suspicion and condescension, overlook the tension generated by income disparities between tourists and locals, the essentially predatory nature of tourist enterprises. Of course you can skirt a lot of that by eschewing the amenities of resorts, but then you are forced to concentrate on how to actually do everyday things in a foreign environment, which is probably the opposite of relaxing for many vacationers. The things you take for granted (buying gas, reading a menu, etc.) become complicated, and embarrassment lurks around every corner.

Resorts protect you from all that complication of the reality of foreignness, but at the expense of jailing you in a plush prison. But they go beyond merely insulating us from the challenges of learning how to function in new environments and having to make too many decisions, beyond permitting us to take a vacation from thinking (“A Supposedly Fun Thing I’ll Never Do Again,” David Foster Wallace’s account of taking a cruise, explicates these points pretty well). By foregrounding the helplessness of the tourist while confronting him at every turn with semi-sarcastic solicitude, resorts actually heighten all the tensions and pretenses, the disparities between tourists and servants, rather than dissipate them; perhaps it’s because these tensions are actually what many vacationers want to consume, class resentment as a testimony that you’ve arrived, that you’ve reached a place where you can have the power to boss people around and be fussed over. The elaborate gate-keeping procedures at resorts are a part of this; if resorts are like prisons, it’s because we want to consume the feeling of being guarded—we want to taste the power of exclusion (which epitomizes class conflict generally) in one of its most concrete forms.

But when regular shmoes like me can be at a resort, the resort has clearly lost some of its exclusive appeal: Hence the ultraprivate resort within the resort the WSJ article notes:

Now some resorts are rolling out fancier service tiers that come with benefits blatantly visible to other guests, from private pools and beach areas in the middle of the grounds to guaranteed spots at crowded restaurants. Elite guests—who pay an additional $40 to $900 or more per night—also get nicer rooms and full access to the main resort. To distinguish them from the regular guests, many of whom are paying hefty rates of $400 to $1,000 a night, they sometimes get special bracelets or towels.

The writing here seems a bit slanted toward maximum populist outrage, but nevertheless it makes clear that consuming exclusivity is less a matter of achieving privacy (as is the case in some of the upgrades discussed) and more a matter of showing those beneath you what your money can buy, gloating in the VIP pool with your special wristband. If you pursue these special services, you actually want less privacy; you want more people to see you in all your luxuriousness. The desire to be seen enjoying privileges is an extension of the reality-TV mind-set, where having an audience is an essential ingredient for validation. But other resort guests don’t want to be an audience; they want to consider themselves the stars too—hence, the article’s focus on the aggrieved hotel patrons discovering they are second class citizens.

The idea that others might be more important can spark a little vacation insecurity. During her weeklong visit to the 49-room Anse Chastanet Resort on St. Lucia last fall, at $475 a night, Rosaria Davies could see the five-month-old Jade Mountain extension every time she went for a swim on the beach. Guests there get their own restaurant, spa and pools, plus access to the main resort; nightly rates this season start at $1,150. “It looked great from afar,” says the 37-year-old from London. When she and her husband had to wait an hour between the appetizers and main course at dinner one night, they wondered if Jade Mountain guests were being served more quickly. During the trip, the couple joked, “Are we chopped liver?” The hotel says it treats all of its guests equally.

Since everyone can’t feel as though they are the only guest, treating everyone equally is the next-best thing—a compensatory egalitarianism that nullify’s our awareness of others—being as we often only notice strangers through invidious comparison. But resorts are tempted by the allure of discriminatory pricing, reintroducing an aspect of the world (relentless status competition) many of us specifically go on vacation to escape.

//Mixed media

A Crooked and Unseen Highway: lowercase - "She Takes Me"

// Sound Affects

"The newest Between the Grooves series tackles Lowercase's Kill the Lights, a great marriage of slowcore and post-punk: raw, angry, sullen, and very much alive almost 20 years later.

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