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by PopMatters Staff

13 Feb 2007

Buy it at iTunes (Director’s Cut)

by Bill Gibron

12 Feb 2007

It’s a gloriously mixed bag this week – a certified Oscar contender, an interesting independent Academy wannabe, a collection of revamped classics, and an overlooked effort that had the unfortunate luck of being the second in the Truman Capote/In Cold Blood sweepstakes. Toss in another failed Hollywood comedy (someone should keep a running total on the number of these lackluster laughfests the industry releases each year) and an unusual documentary, and you’ve got a nice selection of cinema to choose from. So break open the piggy bank, plan your purchase strategy carefully, and choose between these 13 February releases:

The Departed

As the illustrious LL Cool J once warned, don’t call it a comeback. Indeed, Martin Scorsese has not been hiding along the fringes of cinema, waiting for another certified gangster blockbuster to resurrect his implied lagging artistic credibility. Since his last film, The Aviator, was nominated for several Oscars, it seems silly to suggest that the certified American auteur is arriving from anywhere but the top. Besides, some of his best films – Alice Doesn’t Live Here Anymore, The King of Comedy, The Last Temptation of Christ – have nothing to do with mean streets and goodfellas. This does not lesson the impact or import of this brilliant Boston crime drama – no one does operatic brutality better – but Scorsese is much more than movie mob boss. He doesn’t deserve such stereotyping.

Other Titles of Interest

Bicycle Thieves: Criterion Collection

It’s the height of post-War desperation in Italy. Citizens are still in shock over how Fascism has failed them. Then light comedy filmmaker Vittorio De Sica decides to explore the devastation from the inside out. The result was this seminal example of neo-realism, made even more important by the new presentation from the preservation experts.

Half Nelson

Inner city school teacher Dan Dunne (Ryan Gosling) leads a lamentable double life. By day he enthralls his lower income students. By night he’s a raging crackhead. When the two worlds collide, an unusual sort of relationship is the result. What could be a sappy After School special is saved by brilliant acting and a no holds barred approach to its subject.


Writer/Director Douglas McGrath and his wonderful all star cast deserved better than to be considered a Capote afterthought. Indeed, this far sunnier look at the author behind In Cold Blood and the crime that would alter his life forever is more playful – and powerful – than the more sober, somber Oscar winner.

Paul Robeson – Portrait of the Artist: Criterion Collection

He was Ivy League educated, sang opera as well as popular songs, and was considered a real Renaissance man. An amazing triumph for a member of a beleaguered race at the turn of the century. Thanks to Criterion, Robeson’s career as an actor (which he ended early, arguing that there were no good roles for blacks) can now be reviewed for all to see and celebrate.

School for Scoundrels

Proving that it will be tough to overcome his pitch perfect performance as Napoleon Dynamite, Jon Herder follows up his equally unimpressive turn in The Benchwarmers with this dopey relationships comedy. While Billy Bob Thorton obviously enjoys doing these kind of over the top slop comedies, we expect better from the man who made geeks groovy. Sadly, there is more horror than humor here.

And Now for Something Completely Different

The US vs. John Lennon

In one of the strangest cases in the history of the Federal Government, the Nixon Administration, in connection with Hoover’s hated FBI, conspired to deport ex-Beatle John Lennon over his pronounced peacenik views. Along with his obvious influence amongst the youth, and his ability to continuously capture the attention of the media, Lennon was the loose cannon the ebbing pro-Vietnam Establishment couldn’t control. The way they went about their plan, however, failed to do anything but further damage an already reeling leadership. Now, thanks to the Freedom of Information act and a decision to contextualize Lennon’s cultural import, filmmakers David Leaf and John Scheinfeld have created a composite of one man, and his undeniable impact on the society that surrounded him. While his death remains the biggest disgrace to his legacy, this chapter is equally embarrassing.


by Harlem Shakes

12 Feb 2007

Harlem Shakes Tour Diary, Entry #1

Hey there. Not too long ago, we received word that we, Harlem Shakes, would be going on our very first tour with one of favorite-ever bands, Deerhoof. Since then, we have been on a 24/7 giggle binge, smiling and rambling to our friends like drug addicts pre-death, or maybe leprechauns post-mischief.

Todd (guitar) got a tattoo and Lexy (vocals) had a relapse of mononucleosis, but on Sunday February 11th, we set out in our van that we have named “Thevandra Vanhard,” to our nation’s capital, and played at a beautiful venue called the Black Cat. A nice, Black Cat-affiliated fellow named Matt helped us with our equipment, which was funny because usually people treat us with shoe-spitting disgust.

Then we watched Deerhoof soundcheck. In truth, we would have driven to DC just to see them. Instead, we opened for them. We also set up our very first merch table (up until now, we’ve never even had a CD or anything, and now we not only have CDs, but also pins and tee-shirts… like the Stones!). We played well, and met nice people afterwards, kind and attractive DCiopians. We went away from the evening feeling like the luckiest musicians since Duncan Sheik. Tour is awesome! More to come, including pictures, on Wednesday. Goodbye for now internet.


by PopMatters Staff

12 Feb 2007



Free Stream of Mnemic’s entire new album, Passenger

“This is more of a resurrection album for the band.  The melodic became more melodic, and the brutal became more brutal as we succeeded in finding the complete MNEMIC sound.  We really took the time that we needed to write songs we could be happy with.  We didn’t just use the first or the best riff… we demo-ed [the songs], chopped them up, and put them back together.  [New singer] Guillaume really did a phenomenal job with vocals.  He was the missing piece of the puzzle and simply lifted us to the next level.  I hope this release finally puts MNEMIC on the map.  I don’t want us to just drown in the ocean of all other releases, bands, and labels that are out there in today’s metal.” - Mircea [guitar], Metal Edge Magazine

The Icarus Line

The Icarus Line

Gets Paid, from Black Lives at the Golden Coast, (Dim Mak)

Black Lives at the Golden Coast—for which The Icarus Line have turned once more to the good judgement and talent of producer Mike Musmanno—is certainly their most stunning venture to date. The album was entirely recorded on tape, with Cardamone and the band pushing the sound above and beyond their own expectations and dosing it with even more concentrated elements of pop, art, and sex.  Black Lives proves that true rock ‘n’ roll is still alive in the heart of The Icarus Line.—Dim Mak


by PopMatters Staff

12 Feb 2007

PopMatters has an exclusive Jarvis Cocker track streaming in our new Listen Up! section

Check it out and also find out about downloading Mercora, so that you can become a DJ and share your music with millions of listeners.

PopMatters review of Jarvis.

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