Comprised of former members of West coast indie bands P:ano and Lost Lovers Brigade, synthpop duo Fake Tears heads in a much more different direction, not only finding warmth in artificiality, but juxtaposing a pop aesthetic with a strong experimental mindset. Larissa Loyva and Elisha My Rembold create smart electropop, their rich vocal harmonies meshing beautifully with the vintage sounds of analog synths. It’s a beautiful, classic sound but with a modern perspective, and Nightshifting, their debut album for Mint Records, highlighted by the title track, achieves a kind of Giorgio Moroder-meets-Tangerine Dream feel.
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Warning: This article contains spoilers for Telltale’s Game of Thrones Episode 5: A Nest of Vipers.
One of my earliest memories is trying to figure out how old my parents would be as I aged. I’ve always been bad at math, so as I counted my age each year on my fingers, I accidentally added ten years to my parents lifespan for each one. You can imagine my shock when I predicted my parents would die of old age before I was even ten. I don’t remember how old I was then, but I do remember crying so hard it was tough to breathe. It was terrifying to know I couldn’t do anything about it.
In “A Nest of Vipers”, the latest episode in Telltale’s Game of Thrones series of point-and-click adventure, you can’t do much about death, but you can choose who lives and who dies. During the climax of the season’s penultimate episode, two brothers, Rodrick and Asher, are ambushed by Whitehill soldiers. Their only escape route is under an iron gate, but one brother has to stay behind to hold it open. How do you choose who stays and who goes? How do you decide who lives and who dies?
Hot off the release of his album Delilah, on producer Dave Cobb’s first release on his new imprint, Anderson East’s performance at the Mercury Lounge in July was full of vim and vigor. Though to be honest, East’s normal performance mode is already so fiery the set show is framed by his friend and guitarist Scotty Murray’s wild preaching.
East was in New York City from Nashville for his, at least, fourth time this year in the build up to Delilah and at this headlining tour stop, Icelandic band Kaleo opened for him. Kaleo don’t perform the typical moody or ethereal music that often comes from the island nation; their music is more folksy and Americana-esque which served as a perfect warm up for the rowdy performance that was to come. Kaleo’s actual set ended up shorter than what was written on the setlist in front of them but I was left curious enough to check them out again (the song “All the Pretty Girls” is a particular standout).
I don’t want you to be the guy in the PG-13 movie everyone’s *really* hoping makes it happen. I want you to be like the guy in the rated R movie, you know, the guy you’re not sure whether or not you like yet. You’re not sure where he’s coming from. Okay? You’re a bad man. You’re a bad man, Mikey. You’re a bad man, bad man.
—Vince Vaughn as Trent, Swingers, 1996
It took until the sixth episode, but True Detective’s writer and creator, Nic Pizzolatto finally got around to giving his audience the single thing that engaged his viewers in season one; strong chemistry between two of the lead characters. The thing that drove season one was the complex relationship between Matthew McConaughey’s detective Rust Cohle and Woody Harrelson’s detective Marty Hart. With the exception of Colin Farrell’s Ray Velcoro and Vince Vaughn’s Frank Semyon, this lack of chemistry is, in part, due to none of the characters knowing each other prior to the beginning of the series. Additionally, Pizzolatto concentration on the character’s backstories has limited the amount of time for them to bond. While there were a few moments that popped, the exchange between Velcoro and Rachel McAdam’s Detective Ani Bezzerides at the start of the episode finally indicated that these three had a little bit of chemistry, but there were just as many moments that did not ring true. In episode four, Velcoro gives an existential angst-filled pep-talk to Taylor Kitsch’s Officer Paul Woodrugh, in which he comes off sounding like a self-important stepdad trying to cheer up his stepson after a little league loss.
Plumbing the depths of early Nick Cave and the Bad Seeds, Echo and the Bunnymen, and Joy Division, Olympia, Washington band Dark Palms bring a welcome gothic tinge to indie pop, a little garish darkness to an often rigid style of music. Not too shabby for a band that only formed earlier this year.