Call for Essays About Any Aspect of Popular Culture, Present or Past

Latest Posts

Bookmark and Share
Text:AAA
Monday, Jul 21, 2014
"There goes a narwhal!" is one of the B-52's most memorable lines. It's also what got John Lennon back into songwriting.

Lots of trouble! Lots of bubble! This is the song that made John Lennon want to make music again.


No, really.


“Rock Lobster” is a landmark song on several fronts. For one, it was the B-52’s first-ever single, released in 1978, and the song that gained them a cult following prior to landing their record deal. Even more than that, “Rock Lobster” has endured the test of time better than more seriously-minded fare from the same era, getting somewhat of a revival during its use in a 2005 episode of Family Guy, and Yoko Ono has even joined the band onstage to make creature noises more than a few times. Between this and “Love Shack”, “Rock Lobster” is one of the B-52’s most iconic songs, bar none.


Bookmark and Share
Text:AAA
Monday, Jul 21, 2014
Reading Trinity of Sin: Pandora #13 triggers familiar memories of Bill Gates’ The Road Ahead, only some of them warm and comforting.

EXCLUSIVE PREVIEW


The Road Ahead, if you read it when it first came out, felt bold and optimistic and you by extension, if you read it right, felt imbued with a sense of It Can Be Done. But back in 1995, the more radical tech visionaries and evangelists bit their tongues in a silent grudge—that perhaps The Road Ahead’s vision didn’t go far enough, that perhaps its vision of integrating tech into a fundamentally unchanged social system didn’t quite harness the real promise of computing.


Bookmark and Share
Text:AAA
Monday, Jul 21, 2014
This week our podcasters continue to traverse the surreal highways and byways of Kentucky Route Zero, as we focus in on its third act.

The surreal world of Kentucky Route Zero continues to fascinate and confound with the release of its third act.


This episode we discuss this act along with the interlude between it and the previous one, The Entertainment.


Bookmark and Share
Text:AAA
Monday, Jul 21, 2014
Michel Gondry goes all out here, bringing both the fanciful wonders and dire circumstances of our couple's doomed affair to breathtaking, eye-popping life.

It’s been a while since we’ve seen filmmaker Michel Gondry in what we’d call “full Gondry” mode. After his amazing breakthrough, the endearing romantic tragicomedy Eternal Sunshine of the Spotless Mind, he’s made attempts at cult/commercial appeal (Be Kind, Rewind), mainstream blockbusting (the grossly underrated Green Hornet) and a few reasonable reminders of his eccentric penchant (The Science of Sleep,The We and the I).


There have even been a few fascinating documentaries (The Thorn in the Heart, Is the Man Who Is Tall Happy?) thrown in for good measure. Now, the undeniable visualist is back with an adaptation of Boris Vian’s highly experimental 1947 novel Froth of the Daydream (here retitled Mood Indigo). Telling a simplistic tale in a highly surrealistic manner, it would seem right up Gondry’s style over substance alley. And it is. Magnificently so.


Bookmark and Share
Text:AAA
Monday, Jul 21, 2014
by Shyam K. Sriram
A splendid collection of tales of Southerners traveling abroad and children of immigrants living in the South and reflecting on their heritage.

When I was a senior at Purdue, I took a class on “American Regionalism” with Sean “Kip” Robisch, and it completely changed how I looked at literature. From delving into Ken Kesey’s underrated classic, Sometimes a Great Notion to discovering Willa Cather for the first time, Robisch opened a door for me into a world where the physical setting of a novel or poem mattered just as much as its contents and that writing about a place was the highest form of realism.


Now on PopMatters
PM Picks
Announcements
PopMatters' LUCY Giveaway! in PopMatters's Hangs on LockerDome

© 1999-2014 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.