Grouplove‘s founders Hannah Hooper and Christian Zucconi recently became parents. The band has been around for over seven years and had released two albums prior to the life-changing status that is parenthood. Zucconi has spoken about the effects impending fatherhood and the rigors of touring had on song craft for the band’s third album Big Mess.
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Fans of silent cinema should be alerted to two new Blu-rays of mid-September. One title upgrades a previous DVD release, and the other unveils a once-lost title on video for the first time. Both are directed by masters of silent and sound cinema in close collaboration with women writers with whom they had professional and intimate relationships.
The upgrade is Fritz Lang’s Dr. Mabuse the Gambler, a two-part epic about a ruthless king of crime and master of disguise (played by Rudolf Klein-Rogge having a field day) who manipulates the stock market, blackmails and hypnotizes spineless scions, gambles with money and lives, and commits endless skullduggeries. Proclaiming itself “a picture of the time” and “a play of the men of our time”, this extravagant, big-budget criminal melodrama purports to capture the zeitgeist of Weimar Germany, coincidentally before a similarly self-proclaimed Übermensch, as mad and criminal as Mabuse, would publish Mein Kampf (1925) as part of his bid for political power. The script is credited to Norbert Jacques, the novelist who created Mabuse, and Thea von Harbou, Lang’s most important creative collaborator during the silent era and for several years his wife.
Luísa Maita perfectly personifies the multi-cultural character of her home city of São Paulo as she is the daughter of immigrants (Syrian and European Jewish) with a great love for traditional Brazilian music as well as the many off-shoots that have been developed by the many ethnic groups of Brazil. Maita is also thoroughly modern in her approach, incorporating electronic music into her sound as we hear on her new video for “Fio da Memória”, which also happens to be the title of her latest album. “The record is about what Brazil is today aesthetically, in this electronic age,” says Maita. “Fio da Memória” is a beautiful song with its gentle programmed beats and Maita’s stunning voice.
William Clark Green nearly became a rancher, like many good Texans, but we’re thankful that music intervened in those plans as Green brings some real rock ‘n’ roll punch to his straight from the heart country tunes. Like many notable Texas singer-songwriters, Green takes his cues from the storied legion of Lone Star State songwriters who have gone before and brings in the energy of rock and attitude of outlaw country. It’s a potent mix that make Green a tremendous live performer. On this live version of “Sympathy”, Green brings down the house and shows a musician quickly maturing to take his place alongside Robert Earl Keen, Joe Ely, and Billy Joe Shaver. Green tells PopMatters that he’s “never written a song with that much emotion in it in 45 minutes, and will never do it again.”
Andrew Paschal: This song is so fun, infectious, and inventive. It adopts a hip-hop flair with a playful, tongue-in-check attitude, but its self-awareness and sense of humor never lapse into irony or parody. It’s unpredictable without being chaotic or messy; instead of over-relying on the catchy chorus and phoning in some passable verses, Beck finds new ways to surprise and delight throughout, with each verse stylistically distinct from the last. As a result, “Wow” has an almost Grimesean openness to possibility—Beck didn’t have to toss in some rhythmic piano three minutes in, for example, but he did and it worked out great. I didn’t expect Beck to be making a Song of the Summer on album #13, but I’m thrilled to hear he has some Odelay left in him yet. [9/10]
// Moving Pixels
"In Reveal the Deep, the light only makes you more aware of the darknessREAD the article