Latest Blog Posts

by Brice Ezell

27 May 2015

With a little Dylan inflection in his voice and a troubadour’s penchant for storytelling, Nashville’s own Woody Pines sounds just like the kind of musician you’d stumble across while walking down Music City’s Lower Broadway street. Pines represents both the vintage sounds of Nashville past and the vivacious energy of its music scene at the present. Having cut his teeth in traveling widely across the country, including with artists such as Old Crow Medicine Show‘s Gill Landry, Pines has taken a solid base of raw talent and refined it over the years, resulting in works like his upcoming Woody Pines LP.

Below you can stream the album cut “Little Stella Blue”, which has a particularly powerful story behind it.

by G. Christopher Williams

27 May 2015

I read an interview with John Carmack, the creator of Doom, some time ago in which he was asked what was the most important element of the success of Doom, the game that essentially soldered down the centrality of the first person shooter to American video gaming culture. His response was simple: speed.

What Romero said that what he set out to do with Doom was to create the fastest gameplay experience that he possibly could, and anyone who has played the game should easily understand this explanation. The player’s role in Doom is to essentially play as a roving gun platform, a really, really fast roving gun platform, that simply massacres monsters en masse and as fast as possible.

by PopMatters Staff

26 May 2015

“Emergency” is a bouncy number that’s headed for clubs and the summer music charts. The electroswing touches are pretty sweet too.

by PopMatters Staff

26 May 2015

“Holding On” features house beats and jazz singer Gregory Porter getting his funk on.

by Ian King

26 May 2015

“Folding corners into perfect shapes / Went forlorn in a vapor of Elysian escapes”

That’s how these lines to “She Takes Me” read in the liner notes of lowercase’s Kill the Lights, at least. Coming out of the singer’s mouth, that second bit resembles something more like “when forlorn pings make hell each escape.” Not a full minute into the album, and already results diverge from intent. It won’t be the last discrepancy between the lyric sheet and the words that are actually sung—that is, if they even come out as words at all.

//Mixed media
//Blogs

'Staircase' Is Gay in a Melancholy Way

// Short Ends and Leader

"Unfairly cast aside as tasteless during its time for its depiction of homosexuality, Staircase is a serious film in need of a second critical appraisal.

READ the article