CFP: The Legacy of Radiohead's 'The Bends' 20 Years On [Deadlines: 4 Feb / 19 Feb]

 

Latest Posts

Bookmark and Share
Text:AAA
Friday, Jan 23, 2015
In its examination of issues of multiculturalism, The Emerald Forest continues to acquaint complacent Americans to troubling geopolitical issues 30 years after its release.

John Boorman has stated that the myth of King Arthur informs his filmography, and that’s not hard to see in The Emerald Forest, scripted by the same Rospo Pallenberg who wrote Boorman’s Excalibur. As with Arthur, a special boy (director’s son Charley Boorman in a striking performance) has the magical power to lead his people. Instead of drawing a sword from a stone, he draws stones from a river and ends up going on a quest to a strange, forbidding land. That land is what most of us call “civilization”, and it’s a savage place, as represented by a modern city on the Amazon. The boy’s quest is the inversion of the quest by his father (Powers Boothe) through the jungle in search of his son, so the movie gives us two quests and two irreconcilable viewpoints for the price of one.


Bookmark and Share
Text:AAA
Friday, Jan 23, 2015
"The Night Air" finds a black-and-white look into the past is met by an intoxicating, moody tune by the Denver group Shady Elders.

When it premiered “The Night Air” last year, Wondering Sound described the Denver band Shady Elders as “the hazy, heavy-lidded beauty of Mazzy Star… cross-wire[d]... with the shady, shadowy balladry of Beach House”. Such is certainly the case for The Night Air EP as a whole, which finds Fox Rodemich’s intoxicating, dusky vocals married to warm and nostalgic guitar parts. Nostalgia is a key operative element in The Night Air‘s title track, the video of which you can stream exclusively below.


Bookmark and Share
Text:AAA
Friday, Jan 23, 2015
Canadian indie rock outfit Arkells gives you a behind-the-scenes glance at the "choose your own adventure" video for "Leather Jacket". Disclaimer: several beers were involved in the making of this video.

Here’s a choice quotation from PopMatters’ review of Arkells’ 2014 LP High Noon: “Arkells… exist solely on a plateau of their own, and that’s what makes them so darn special.” The group’s creativity and pop smarts are on full display both on High Noon and the music video for the album cut “Leather Jacket”. Below, you can watch a video where the group gives you an exclusive look at the making of the video for the song. Spoiler alert: there’s plenty of beer involved.


Bookmark and Share
Text:AAA
Friday, Jan 23, 2015
The latest tune by the Water Liars drummer Andrew Bryant comes from "more than enough nights in a Motel 6 to last a lifetime".

As one-third of the Missouri trio Water Liars, drummer Andrew Bryant has spent the last three years on the road recording and supporting the band’s successive albums, Phantom Limb, Wyoming, and 2014’s self-titled release. Following a tour in which Water Liars supported the Drive-By Truckers, Bryant returned to his home studio to record a solo album of songs that draw from his experiences of playing more than 400 shows during that stretch. The result: This is the Life, his sixth solo album.


Bookmark and Share
Text:AAA
Friday, Jan 23, 2015
Ralph Fiennes holds civilization together with little more than his impeccable manners and mustache in Wes Anderson’s absurdist dollhouse of a tragicomedy.

Wes Anderson isn’t our greatest living filmmaker; his style is too narrowly defined for such a grand title. We tend to think of our greatest directors as both having a signature style but also being flexible enough to tackle many styles: Howard Hawks could move from urbane comedies to Westerns and epics, Martin Scorsese from urban grit to musicals and children’s’ fantasias, and so on. By contrast Anderson has one style, and each of his films simply refine it. All those twee little trinkets and fussy outfits could drive you mad, were one to watch too many in a row. But as perfectly Andersonian a spectacle as The Grand Budapest Hotel is, it also expands his reach in surprising ways. Being one of the year’s most unique spectacles, it’s also the first Anderson film made up of tragedy as much as it is comedy.


Now on PopMatters
PM Picks
Announcements

© 1999-2015 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.