Latest Blog Posts

by Adrien Begrand

30 Jul 2015

No longer one half of country duo Steel Magnolia, and coming off a run on The Voice that saw here place second, Meghan Linsey has undergone a transformation from mainstream country chanteuse to pop/soul belter. And judging by what you hear on her new EP Believer below, the new sound suits the Louisiana-raised, Nashville-based singer to a tee. Produced by Ashley Monroe collaborator Tyler Cain, Believer retains enough country influence to attract listeners from that side, but make no mistake, this is one assertive, sassy little pop record with strong crossover appeal, highlighted by the Southern-tinged rocker “Counterfeit” and thunderous ballad “Best of Me”.

by Adrien Begrand

30 Jul 2015

Just in time for the dog days of summer, musician W. Heyward Sims, AKA Devereaux, has released a video for his current single “Bikini”, from the 2014 album Pineapple Flex. A sun-splashed chillwave-meets-Kraftwerk piece that evokes the dreamy, hot laziness of late July, the video itself is simple yet effective, nothing more than slow-motion footage of seagulls swooping on a beach. Normally in real life that’d be annoying as hell, but on video the movement of the birds comes across as languid and graceful, just like the hooky little track itself.

by PopMatters Staff

30 Jul 2015

PopMatters is launching this new section called Singles Going Steady where we will cover new songs and videos using an in-the-round format with multiple writers from the PM staff. Readers are encouraged to contribute their own review and rating in the comments section.

by Adrien Begrand

30 Jul 2015

Comprised of former members of West coast indie bands P:ano and Lost Lovers Brigade, synthpop duo Fake Tears heads in a much more different direction, not only finding warmth in artificiality, but juxtaposing a pop aesthetic with a strong experimental mindset. Larissa Loyva and Elisha My Rembold create smart electropop, their rich vocal harmonies meshing beautifully with the vintage sounds of analog synths. It’s a beautiful, classic sound but with a modern perspective, and Nightshifting, their debut album for Mint Records, highlighted by the title track, achieves a kind of Giorgio Moroder-meets-Tangerine Dream feel.

by Jorge Albor

30 Jul 2015

Warning: This article contains spoilers for Telltale’s Game of Thrones Episode 5: A Nest of Vipers.

One of my earliest memories is trying to figure out how old my parents would be as I aged. I’ve always been bad at math, so as I counted my age each year on my fingers, I accidentally added ten years to my parents lifespan for each one. You can imagine my shock when I predicted my parents would die of old age before I was even ten. I don’t remember how old I was then, but I do remember crying so hard it was tough to breathe. It was terrifying to know I couldn’t do anything about it.

In “A Nest of Vipers”, the latest episode in Telltale’s Game of Thrones series of point-and-click adventure, you can’t do much about death, but you can choose who lives and who dies. During the climax of the season’s penultimate episode, two brothers, Rodrick and Asher, are ambushed by Whitehill soldiers. Their only escape route is under an iron gate, but one brother has to stay behind to hold it open. How do you choose who stays and who goes? How do you decide who lives and who dies?

//Mixed media
//Blogs

Blood and Thunder: Black Sabbath’s ‘Sabotage’ at 40

// Sound Affects

"In 1975, with lawyers in the studio and a financial empire crumbling, Black Sabbath fought back with their last classic album of the decade.

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