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by Andrew Doscas

22 Apr 2015

Like some mad alchemist, frenetically creating mystery elixirs and potions in search of forming something out of nothing, Chris Claremont singlehandedly forged the modern day X-Men universe from almost nothing at all during his initial 16 year run as writer on Uncanny X-Men. He took a comic book that had been cancelled for five years, made it a monthly series, and then turned it into the highest selling comic book on the market. During this run, which lasted from 1975-1991, Claremont took what was originally considered a second-rate Fantastic Four knock-off and turned it into the gold standard to which all other series were measured against.

by PopMatters Staff

8 Apr 2015

(If you are interested in pitching a review of some specific current work or performance, please contact the appropriate section editor.) We prefer careful analysis of the chosen subject matter with the intention of supporting an original thesis; we aren’t particularly interested in articles that merely want to promote their subject. An assessment of what ideological work a given pop culture phenomenon performs (i.e. what has allowed something to become popular, what’s at stake in its popularity besides money, how it is situated in a historical or geographical context, etc.) is especially welcome. Ideally essays will draw on sophisticated interpretive strategies derived from a theoretically informed point of view, but will be presented for a general reader in lively, accessible language.

For examples of the diversity of topics and range of approaches we welcome, please have a look at PopMatters features and columns archives.

by Daniel Rasmus

7 Apr 2015

The floor of Emerald City Comic-Con was filled with wanna be comic writers and artists. Many proudly displayed their first works, preciously printed, and for sale. The writers and artists sat near displays of their books, looking down at pads and sketching, or talking among themselves. They rarely looked up, and unless initiated by an attendee, didn’t engage in conversation beyond whispers to a friend at the table.

Except, at least in my experience, Hannah McGill. So I’m writing about her book, Rawr!

by PopMatters Staff

2 Feb 2015

THE STAN LEE STARTER SET prize pack

·      $50 Visa gift card to expand your graphic novel collection
·      Copy of The Zodiac Legacy: Convergence
·      “Meet the Marvel Super Heroes” coffee table book
·      Stan Lee t-shirt, and candy bar

Prizing & samples courtesy of Disney Enterprises, Inc.
Giveaway open to US addresses only.

·      $50 Visa gift card to expand your graphic novel collection·      Copy of The Zodiac Legacy… in PopMatters's Hangs on LockerDome

by shathley Q

26 Jan 2015

EXCLUSIVE PREVIEW

Maybe the best part of Watchmen, and reading it for the first time there were too many good parts to keep a hold of in a single thought, was how the quotes at the end of most of the chapters shaped your experience and understanding of reading those chapters. Could Bob Dylan have written “All Along the Watchtower” specifically for that near-to-last Ozymandias chapter? “Outside in the distance a wild cat did growl, two riders were approaching, the wind began to howl” reads the Dylan quote at the end of “Two Riders were Approaching…”. And exactly that happens within the story. Bubastis the GM lynx growls at the sight of Rorschach and Nite Owl drawing closer to Ozymandias’s Antarctic fortress on their tiny hovercraft Segways.

//Mixed media
//Blogs

Hozier + Death Cab for Cutie + Rock Radio 104.5's Birthday Show (Photo Gallery)

// Notes from the Road

"Radio 104.5's birthday show featured great bands and might have been the unofficial start of summer festival season in the Northeast.

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