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Monday, Sep 22, 2014
A mystery thriller, a biographical portrait, a mother/daughter melodrama and a visit to the "Island of Love" make up our fourth day at Gdynia Film Festival.

In Michał Otłowski’s Waterline  (Jeziorak), Jowita Budnik plays Iza Deren, a no-nonsense policewoman who’s investigating a girl’s death. The decidedly put-upon Iza has more than this case on her plate, unfortunately.


She’s pregnant, for one, and the father of the twins she’s expecting has disappeared under mysterious circumstances with another police colleague. Meanwhile, the investigation turns up some long-buried secrets from Iza’s own past.


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Friday, Sep 19, 2014
Two Main Competition films that explore Poland's past: one treating it as picaresque comedy, the other as harrowing special effects spectacle.

As demonstrated by the recent success of films as diverse as In Darkness (2011), Aftermath (2012) and Ida (2013) (to name but three), Poland’s turbulent and often traumatic history remains a topic of great concern for contemporary filmmakers. This interest is evident again in a large number of the films screening at Gdynia this year, of which Jerzy Stuhr’s picaresque comedy, The Citizen (Obywatel), must rank as one of the most curious.


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Friday, Sep 19, 2014
Instead of playing with the anticipated and the preconceived, Kevin Smith takes a intriguing premise and circumvents our expectations.

It was the moment every fan was waiting for. After turning their previous work into a multi-million unit selling classic, the announcement of new material was met with the typical pop culture pandemonium. There was even something called “a video” to support the song, a chance to see the band actually recording the tune with help from USC’s marching band.


Yes, 35 years ago, Fleetwood Mac unleashed the title track to their album, Tusk, to a bemused and confused audience. Those expecting the crystal clear commercial appeal of the group’s Rumors, were instead stuck by a strange, surreal bit of primal percussion matched by writer Lindsey Buckingham’s menacing vocals. It was unlike anything the band had done before.


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Friday, Sep 19, 2014
The Maze Runner reminds us that an interesting idea, told well, can trump any number of artistic or aesthetic issues.

Fans of the book are going to be flummoxed. Instead of a faithful adaptation of James Dashner’s successful 2009 novel, the makers of The Maze Runner have decided to par away the wheat from the shaft, creating a compelling dystopian “what if?” that may not answer every question it proposes, but certainly gets significant mileage out of the premise presented.


There’s a lot to digest initially, with sci-fi babble names for certain elements and a real revisionist Lord of the Flies vibe to the ambiguous adolescent male community being carved out of this unusual circumstance. But once first time feature filmmaker Wes Ball dispenses with all the set-up, we are left with an inherently intriguing idea, to wit—what’s behind those massive walls, what is “the maze”, who created it, and what are those awful noises the kids hear howling through the night.


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Friday, Sep 19, 2014
This is one of the best films about the lingering effects of dysfunction that's been made.

There’s a line in the terrific new film, The Skeleton Twins, where Kristin Wiig’s melancholy Maggie tells her suicidal sibling Milo, played by Bill Hader, that life isn’t about success. “Few people are stars,” she suggests, “The rest of us are just walking around wondering how our lives got so bad.”


For these mentally unbalanced offspring, each attracted to both the danger and the depression of living outside the lines, there’s no need to speculate. He blames her for something that happened back in high school. She argues that his lack of support, and their distant, distracted mother, has brought about an obvious discomfort about who she is.


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