It’s been an interesting summer for the CW’s Supernatural. Not only was it featured on the cover of Entertainment Weekly‘s Fall TV Preview issue, but fans have been speculating on just how new co-showrunner Andrew Dabb (replacing Jeremy Carver) will change the show’s dynamic. (Also, the CW’s affiliate changes mean several viewers across the country will now face fewer local sports-related delays.)
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As soon as Netflix approached the idea of rebooting the WB landmark series Gilmore Girls, the Internet went wild: hearts skipped beats and a dormant fandom began to awaken. Recently, across all 50 states, thousands of fans gathered to celebrate the anniversary of the Gilmore Girls premiere on 5 October 2000, at Luke’s Diner pop-up shops. Sixteen years, 153 episodes, and four highly-anticipated 90-minute episodes in the can, fans prepared for the 25 November launch through a unique and clever trip down memory lane.
No! I am not Prince Hamlet, nor was meant to be;
Am an attendant lord, one that will do
To swell a progress, start a scene or two,
Advise the prince; no doubt, an easy tool,
Deferential, glad to be of use,
Politic, cautious, and meticulous;
Full of high sentence, but a bit obtuse;
At times, indeed, almost ridiculous—
Almost, at times, the Fool.
—T.S. Eliot, “The Love Song of J. Alfred Profrock”, 1915
The premise of Westworld is made clear pretty early on in its first episode. Westworld is a kind of theme park, whose visitors lay out a big chunk of change to visit. Westworld simulates the Wild, Wild West through the creation of an environment that resembles our conception of 19th century America and a host of robots that appear like the citizens of an Old West town.
The third episode of Atlanta further capitalizes on one of the series’ primary strengths; its methodical pace and lived-in atmosphere make the show feel comfortable in its own skin. A typical high-concept series would still be zeroed in on propelling its central plot forwards; if Atlanta was on Fox instead of FX, this episode would be focused on cementing the budding musical partnerships between Earnest “Earn” Marks (Donald Glover) and his rapper cousin Alfred “Paper Boi” Miles (Bryan Tyree Henry), with Earn booking him a show or getting him more radio plays.
Instead, “Go For Broke” continues to establish the importance of the show’s central premise in a more cerebral and natural manner, without skimping on the surreal absurdity. Money (or lack thereof) is the overarching theme here, with Earn taking Vanessa (Zazie Beetz) for a dinner he stands no chance of affording, while Paper Boi and Darius (Keith Stanfield) find themselves tangled in a tense drug deal.
Documentaries consist of a very small slice of total consumer entertainment. After a comment was made on the subject, Bill Hader joked about how he, Fred Armisen and Seth Meyers approached IFC, “You know those movies not a lot of people watch? We want to celebrate those.”