Latest Blog Posts

by Sachyn Mital

20 Apr 2016

Nine episodes into her new TBS show Full Frontal, Samantha Bee has quickly risen to the top of the late night game. In aptitude, her only rival may be HBO’s John Oliver with Last Week Tonight. Even before the show aired, the organizers of the Tribeca Film Festival recruited Bee and her showrunner Jo Miller to discuss her show with them, fully trusting Bee’s abilities to produce an excellent television program. Bee’s new network home also held the same confidence in her. After years of being a correspondent for The Daily Show with Jon Stewart, Bee proved her worthiness and value as a comedian and as a political satirist. At the Tribeca talk, Bee said TBS, who had already been working with her husband Jason Jones, “just trusted us because we had already been working with them. They put a lot of faith in Jason and they put a lot of faith in me. I’m very thankful for them.”

The attitude of Full Frontal is apparent right from the intro where Peaches’ “Boys Want to Be Her” plays over the credits. Bee knew right away she wanted Peaches, “almost from the moment of knowing we were gonna be doing a show it came to me in a moment where I went, ‘Well, Peaches will do the song.’ Because, Peaches.” before reaching out to Peaches, another edgy Canadian female, via Twitter. Peaches, ever so generously provided additional cues, cuts and backing bits for the show to supplement her song.

by PopMatters Staff

11 Apr 2016

PopMatters (est. 1999) is a respected source for smart long-form reading on a wide range of topics in culture. PopMatters serves as a bridge between academia and popular culture. Thus, our articles are written in an engaging style that is both entertaining and erudite, yet free of stiff and cloistered academic language, and of course, far removed from the novice, the hype and the naiveté that crowds online media.

PopMatters articles appeal to cultural omnivores, historians, pop culture enthusiasts and intellectuals and geeks of many stripes. Our essayists approach their subjects with a strong respect for and knowledge of history—and with an eye toward where they think we may be heading next.

Feature essays are a minimum of 1,200 words, and there is no maximum limit, so long as the essay warrants the length. You may pitch a single essay, or a series of articles. We’d love to hear your ideas.

by Jessy Krupa

11 Apr 2016

The past three episodes of Supernatural have had little to do with season 11’s major strategy, but the latest episode’s definitely arc-centric. There were a few surprises (guess who’s back?), appearances from most of this season’s main characters, and even a rare exorcism duet from Dean (Jensen Ackles) and Sam (Jared Padalecki) Winchester, but the show still feels like it’s spinning its wheels.

by Jessy Krupa

4 Apr 2016

Spoiler alert! The average Supernatural fan (or anyone who looks up their local TV listings) knew that this week’s episode dealt with a hard-to-believe premise: the death of Sam Winchester (Jared Padalecki). Despite the fact that technically, he’s died at least three times on the show—stabbed by a demon-blooded “special child” at the end of season two, thrown into a pit of Hell at the end of season five, and falling into a non-reversible coma after being weakened by the “trials” of season eight)—it was still surprising to see him fall to his supposed final death by just a simple bullet shot by a werewolf.

by Victor Stiff

31 Mar 2016

The Origin Story

Once considered cinematic junk food, comic book movies are no longer just bite-sized, easily digestible bits of entertainment. Not long ago, comic book movie franchises’ primary objectives were profitable box office runs, generating as many sequels as possible (Batman, Batman Returns, Batman Forever, Batman & Robin), and selling ungodly amounts of licensed merchandise. In today’s blockbuster movie landscape, a film can meet box office expectations, spawn a sequel, and still qualify as a failure.

In 2016, studio mandates require that comic book movies hit multiple benchmarks in order to qualify as successful, and wrapping up a satisfying story in roughly 120-minutes is only one of them. Comic book movies must also act as advertisements for upcoming films, and establish deep mythologies that branch off into other movie franchises, video games, comic books, and TV series. Nowadays, producing comic book related entertainment is a complicated process, akin to juggling several knives while walking backward on a tightrope.

//Mixed media
//Blogs

The Sound and the Warmth: An Interview with Cardiknox

// Sound Affects

"New York's Cardiknox are taking more steps in their goal of world domination. With their debut record Portrait out, the band are dreaming big, wanting to transcend the indie pop scene.

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