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by PopMatters Staff

23 Aug 2016


Photo: Jay Sansone

Eric Krasno has been a prolific musician over the past 20 years, co-founding both Soulive and Lettuce, while playing, producing and songwriting for a host of the music world’s leading lights, such as Tedeschi Trucks, Talib Kweli, Norah Jones and more. Stepping out on his own has allowed the virtuosic guitar master to quite literally find his own voice as he takes the mic for the first time revealing an affecting, gentle, bluesy soul man. On his latest single, “Jezebel”, Krasno lays out a mellow soul/blues vibe with some slinky, masterful guitar playing and a tale of love gone wrong.

by PopMatters Staff

23 Aug 2016


Chicago’s post-punk darlings Radar Eyes are back with more jangly, percussive, hard-charging music as their latest album Radiant Remains nears its September 2nd release date. “Midnight Drive” will thrill fans of the Cure, Echo & the Bunnymen, and Joy Division. The band may call the Windy City home, but ‘80s British rock remains their greatest inspiration and the beautiful thing is that Radar Eyes’s music feels completely organic and possessed of kinetic energy. In other words, this isn’t tribute music to a bygone era; “Midnight Drive” is thoroughly of the present.

by PopMatters Staff

22 Aug 2016


Tanner Smith: Two nocturnal 1990s icons team up for a spare, cinematic ballad that offers no surprises. “The Spoils” is immaculately constructed, featuring an understated, plaintive vocal performance from Hope Sandoval (who fronts the spectral Mazzy Star) and rich granular details that come from years of making records. The song’s beautiful, string-laden chorus feels like a sad, distant, and dying callback to the group’s incredible Blue Lines classic “Unfinished Sympathy”. But where “Unfinished Sympathy” captured the ambiguous rush of love, “The Spoils” details its fall into the abyss. “The Spoils” classicist leanings prove that Massive Attack don’t need to chase fads in order to create stirring and uniquely powerful music. [8/10]

by PopMatters Staff

22 Aug 2016


Chris Ingalls: Like that unwieldy parachute Katy Perry is dragging around in the video, the song is bloated and heavy-handed, but it’s kind of hard to get too jaded about something that’s basically the unofficial theme song of the Rio athletes. In that sense, the song works nicely and all the proper “inspirational” boxes are checked, both in the composition, Perry’s emotional delivery, and yes, that “you can do it!” video. [7/10]

by Will Rivitz

22 Aug 2016


Picture Atlantic‘s “Billy Banker” is a song about a vampiric A&R man, chasing after a hapless band in the pursuit of sales, sales, sales. The song’s atmosphere fits this narrative appropriately: nose-thumbing lyrics (“Billy Banker / is a wanker” is the opening line), paranoid guitar, and energetic, sprinting drums and bass. It’s a loud cry against sucking out artistic vision and extracting pure profit, and its frenetic instrumental banking gives that cry nice heft.

//Mixed media
//Blogs

Virtual Reality and Storytelling: What Happens When Art and Technology Collide?

// Moving Pixels

"Virtual reality is changing the face of entertainment, and I can see a future when I will find myself inside VR listening to some psych-rock while meditating on an asteroid.

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