James Bassett said of Abe Vigoda’s 2008 album Skeleton that it was “cleverly and neatly interwoven to further the sense of disorientation, Skeleton is a concentrated blast of strangely accessible noise that is both bracing and energising.” Here’s the new video from their 2009 effort Reviver.
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C.L. Chafin says in tomorrow’s review of Black Dice’s Repo that the album “melds overmodulated drumbeats, guitars, otherworldly chattering, distorted saxophone, and a million other bleeps and blurps into echoy sonic clouds. It’s by turns engrossing, boring, and terrifying.” The Brooklyn-based group has just released a video for “Glazin” and has announced their upcoming tour schedule (after the jump).
The Paper Chase release their new album Someday This Could All Be Yours (Part 1) on May 26 and have just offered up the first MP3 from the effort to the Tripwire.
The Paper Chase
“What Should We Do With Your Body? (The Lightning)” [MP3]
Jun 18 2009 Walter’s on Washington Houston, Texas
Jun 19 2009 Thirsty Hippo Hattiesburg, Mississippi
Jun 20 2009 Drunken Unicorn Atlanta, Georgia
Jun 21 2009 Local 506 Chapel Hill, North Carolina
Jun 22 2009 DC9 Washington DC, Washington DC
Jun 23 2009 Brillobox Pittsburgh, Pennsylvania
Jun 24 2009 M Room Philadelphia, Pennsylvania
Jun 25 2009 Mercury Lounge New York, New York
Jun 26 2009 Maxwell’s Hoboken, New Jersey
Jun 27 2009 AS220 Providence, Rhode Island
Jun 28 2009 II Motore Montreal, Quebec
Jun 29 2009 The Drake Toronto, Ontario
Jul 1 2009 Mac’s Bar Lansing, Michigan
Jul 2 2009 Cactus Club Milwaukee, Wisconsin
Jul 3 2009 Empty Bottle Chicago, Illinois
Jul 4 2009 The Busted Lift Dubuque, Iowa
Jul 5 2009 Firebird St. Louis, Missouri
Dale Watson is an unrepentant hard country traditionalist from Austin who comes firmly from the George Jones and Merle Haggard school of musical hard knocks. His regular shows at the Continental Club in Austin are always packed affairs (tour dates after the jump) and his live albums are generally some of his best efforts. In true country tradition, Watson also sings trucking songs and has a second volume of road rambling tunes releasing on Hyena Records next week (April 21st.)
“Truckin’ Man” [MP3]
I’ve started to capitalize ‘White’ in my lexicon, elevating it to an anti-racist category, like Black. Undoubtedly, ‘white’ as a racial category grew out of imperialism and dominance- a holistic ideology to squash others. It is rare that folks reclaim the identity, forming it into anything other than what pop culture has said: bland, mainstream (See 1999’s American Beauty- WASPY asses hung out to dry!). Further aiding whiteness evaporate into nothingness, came the lexicon celebrating ethnicity, diversity and inclusion, which understandably even further silenced and effaced ‘white’. Interestingly, Martin Luther King always affirmed the category of White and Black, and as cable of engaging in dialogue. Beyond King’s dream, what happens when the ‘white kids and black kids’ playing together (inevitably) grow up and decide to play parents together?
Certainly, my wet dreams aren’t of some wanton tragic mulatto naked on her hands and knees, projecting that very old Plantation style racial order (See the next to last scene of Monster’s Ball). Rather, I fantasize about Mariah, Barack and Alicia. I wonder what it would be like if Mariah took piano lessons from Alicia Keys, and actually started belting out, stomping and mashing the keyboard all at once. How fierce would that diva be then? Or what magic would the two composers compose together? Imagine them rocking the White House. Do you wonder about the kinds of dialogue they would have, and how much it would benefit the public? Imagine a Save the Music concert not sponsored by VH1’s corporate sponsors, but by ‘the people’. Imagine government investing in art education at all levels on behalf of us, ‘the people’. Imagine the Queen of Soul praising a Black president, in dialogue with a nation, before the world stage at his inauguration. Hey Lover, as LL fantasized, it’s no longer just one-way love, anymore.