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by PopMatters Staff

29 Aug 2016


Photo: Travis Shinn

Adriane Pontecorvo: Banging from the very first beat. This song layers cool on cool, laid-back vocals and driving, droning guitar, all leading to a simple chorus that’s easy to shout along with. The Pixies spend the entire two minutes at maximum power, a well-oiled machine. They’re at their tightest here, not a piece out of place from its speedy beginning until it glides to a final stop. A satisfying burst of energy. [8/10]

by Sachyn Mital

29 Aug 2016


James Chapman and Polly Scattergood (Photo credit: Cat Mook)

UK based onDeadWaves is the musical project of James Chapman (Maps) and Polly Scattergood. The duo released their debut album of dreamy rock (onDeadWaves) earlier this year on Mute. Subsequently the band found themselves with some spare time and a lot of caffeine on a late night where they recorded their take on Pink Floyd’s classic “Comfortably Numb”.

by PopMatters Staff

26 Aug 2016


Tanner Smith: “10dEATthbreast” is Justin Vernon’s long-awaited response to his Yeezus collaborations: by overlaying filtered chants on top of the buzzed out low-end and clattering percussion, he creates something altogether more forceful and propulsive than any song on Bon Iver’s first two records. And yet, in the song’s second minute, he leads this mini-epic into a beautiful, spacious crescendo that contains all the searching intimacy you’ve come to expect from his work. A truly futuristic assemblage, the song feels wholly singular in the current indie climate. Along with the other advance single, “22 (OVER S∞∞N)”, “10dEAThbREast” depicts a mercurial artist who is continually pushing himself and his music into unknown territories. [9/10]

by PopMatters Staff

26 Aug 2016


Indie rockers Young the Giant are headlining tonight’s AUDIENCE Network concert special airing at 9:00 p.m. ET/PT on AUDIENCE Network, DIRECTV Ch 239/U-verse Ch 1114. The band was definitely “on” big time for this event as Sameer Gadhia’s passionate vocals on “Something to Believe In” make you believe him. We’ve got an exclusive clip of that song to whet your appetite for the entire concert tonight, which also features an in-depth interview with the band.

by Evan Sawdey

26 Aug 2016


In celebration of Bar None Records’ 30th anniversary, Burnside Project—the electronics-indebted indie rock trio featuring Richard Jankovich, Gerald Hammill, and Paul Searing—have decided to do something wholly unique: take the group’s labored-over but never-released third album, Syntax and Semantics, and unleash it onto the world, starting with a two-week free download exclusive to PopMatters.

Casual observers may be familiar with “Cue the Pulse to Begin”, a minor four-on-the-floor club hit that later became the theme song to the US version of Queer As Folk, and the album that it came from, 2003’s The Networks, the Circuits, the Streams, the Harmonies, even got a nomination for the short-lived Shortlist Award, no less than Cameron Crowe ending up being the one who nominated the guys.

//Mixed media
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The Vast Loneliness of 'No Man's Sky'

// Moving Pixels

"You cannot escape yourself in No Man's Sky. There is little to do but analyze the self.

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