With the guitar and vocals of Matthew Zeltzer and Maria Maita-Keppler at their sound’s forefront, together with bassist Will Haas and drummer, Benjamin Nathan O’Brien, the American West concoct an authentic dust bowl vibe. The lead single from their upcoming album, The Soot Will Bring Us Back Again, “Roadsick Blues”, paints a desert rock soundscape. Featuring imagery redolent of a literal and figurative desolate road, it’s a captivating song of heartbreak that feels like true, blue Americana.
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Adriane Pontecorvo: Lana Del Rey is more than the sum of her parts. Her voice is good, her lyrics are relatable, and her melodies are pleasant. That’s a good enough start, but it’s not what makes her special. Her hook, the reason she has such a die-hard fanbase and continues to sell album after album, is glamour. It’s in her name, her style, her videos, her music: a haunting blend of romance and tragedy, velvet and starlight, the open spaces of America and the smoky darkness of an old-fashioned jazz lounge. None of this is to take away from her raw talents, singing and writing, which are above average even in a song about such oft-repeated subjects as young love and looking back. But, as with any real star, it’s her delivery, the melancholy with which she sings that “it’s enough just to make you go crazy, crazy, crazy,” that entrances. “Love” is another wistful chapter in Lana Del Rey’s songbook, nostalgic, bittersweet, and benefiting from Del Rey’s affinity for all things heartbreaking. [8/10]
Blues/folk/soul singer Ruthie Foster is a roots music wunderkind. From those aforementioned three genres and into gospel and rock, Foster refuses to be penned in, but rather allows her muse to take her where it will and we the audience are just left shaking our heads in collective amazement. What resonates with me the most about Foster is that she’s a pure musical force of nature, a master musician and an artist graced with one of the finest vocal instruments in the roots world.
Neo-swing band Big Bad Voodoo Daddy first found fame in the ‘90s during the long-overdue Louis Prima revival that suddenly brought swing bands from coast to coast to greater prominence. But Big Bad Voodoo Daddy was always among the best of the lot with a really tight band that could jump, jive and wail just like their many musical heroes.
Minnesotan singer-songwriter Rachael Kilgour’s newest music is born from the rollercoaster that followed an excruciating divorce. Before Rabbit in the Road, all of her previous work focused on marrying in her early 20s and living as a young step-parent in a same-sex relationship, deftly chronicling all of the ignorance on behalf of the religious, governmental, and just plain ignorant against her family.
// Channel Surfing
"The episode reveals some key plot points in a family-themed episode that resolves itself far too easily.READ the article