She ain’t no Ronnie Spector, but then again there is nobody like the original Mrs. Phil Spector—not even Amy Winehouse, try as she may—but Phil’s new wife Rachelle has a new video out, and it is a hoot. Look at the sparkle and glitter, listen to the computer enhanced back-up instrumentation, and weep at the missing Wall of Sound now that Phil is behind prison walls.
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Radiohead’s drummer Phil Selway has an album approaching in August titled Familial. And kindly enough, he has offered up a free MP3 for anyone who signs up for his mailing list. “By Some Miracle” isn’t even three minutes long, but it’s the quality that counts. It shows that Selway, in addition to keeping time with one of the better rock bands of our time, has a natural knack for songwriting. Hopefully the rest of Familial will measure up.
Several years ago, a bummed-out Rivers Cuomo penned the song “My Day Is Coming” after the USA lost the World Cup. It never made it to a Weezer album, but was released on Alone II, his second official collection of demos in 2008.
Fast forward to 2010, more people in the States are suddenly getting excited about soccer/football, and Cuomo’s band seizes the chance. The new song “Represent” is the unofficial theme song for America’s team.
Is it a worthy sequel to “My Day Is Coming”? Go to Weezer’s official site to hear for yourself. Word of caution: if you think that 21st century Weezer has done nothing but suck eggs, this song will just be more fodder for your argument.
Could that person just be the devil? The trailer, which adopts the more-is-more approach when it comes to sharing narrative information, seems to say so. Devil, adapted from a story by M. Night Shyamalan and directed by John Erick Dowdle (Quarantine), tells the story of a group of people trapped in an office building elevator. Using some disorienting upside-down arial shots, the film looks promising. Could this be M. Night Shyamalan’s redeeming project following the critical slaughter of The Last Airbender? The film premieres in theaters September 17.
Recent history makes clear that society is not always progressing. Take vampires, for example—or at least the mythologies surrounding them. While the undead bloodsuckers have never been more popular, much of their current fascination has been sparked by the Twilight franchise.
The basic, disturbing crux of the series rests on its deep advocation of traditional gender roles. Both the female’s feelings of emptiness when away from her lover for even an hour and the male’s obsession with domination in the name of “protecting” her are coded as incredibly, impossibly “romantic,” a celebration of old-fashioned, stalk-me-then-marry-me values.
Luckily, we have Buffy the Vampire Slayer to the rescue.
Seven years after the series went off the air, Buffy Summers remains a rarity in the world of American entertainment—a female character who is not attracted to a simpering pin-up who would kill her if only he didn’t love her so much.