In this fourth episode of the LXD, we see the b-boy dance-fighting of the series actually cross over into real fight choreagraphy, with punches and kicks landing rather than fight-esque choreagraphy signifying combat. Existing LXD member Spex faces off against new ‘hire’ Tendo, and the two face off in the office once the civilians have left for the day. Also, papers magically fly in the fore- and back-ground. Because it’s cool.
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Grace Potter & the Nocturnals have released their latest video for their eponymous fourth CD. Both, the song, “Paris (Ooh La La)” and the video are raunchy and not shy about inhibitions. It’s all sexual bravado here. You got me down on the floor, now whatch ya gonna do about it? While the song and the video are risqué, potter also displays a brash confidence of a woman comfortable with her own sexuality. This song aims to put Potter & the Nocturnals on the top of the charts. Consider it a victory for good music if our sons and daughters are listening to and watching this video instead of Miley Cyrus.
If you’re like me (and I know I am), you’ve wasted nearly a decade of your life hoping the Bees will swarm across the Atlantic and into the venue closest to your front door which has the ideal mixture of a quality sound system, an intimate-without-being-crowded floor and an ambiance worthy of a band who (through a cruel series of misfortunes which can only be taken personally at this point) have yet to play a gig in the United States.
The Bees (or A Band of Bees as they’re sometimes known) hail from the Isle of Wight, though three previous (and brilliant) albums have typified their open arms approach to melding musical styles from across the varied world spectrum. But their last full release, Octopus, dropped more than three years ago. When they followed that by pulling out of a Coachella appearance in 2008, it left their faithful wondering what the heck was on the horizon.
And now, it seems, our collective prayers have been answered, as the Bees are putting the finishing touches on their fourth album proper, Every Step’s a Yes. And because we’ve been such patient and good little boys and girls, the Bees have made available “Silver Line”, a charmingly pastoral song with a charmingly low-fi video. Worryingly for anyone hoping the album’s release is imminent, the song contains the line, “And I tell you that we won’t be rushed.”
But keep those chins up, Bees enthusiasts: Live shows are already underway, and perhaps those of us in the colonies will finally get the chance to dust off our best “Chicken Payback” moves in a live setting.
First Film: Bush Christmas (Henri Safan) and BMX Bandits, both 1983
Must-see: Eyes Wide Shut (Stanley Kubrick, 1999); The Others (Alejandro Amenabar, 2001); Dogville (Lars von Trier, 2004)
Star Turn: To Die For (Gus Van sant, 1995), in which she played a weather girl hell bent on becoming famous.
Underrated: Noah Baumbach’s generally underrated 2007 film Margot at the Wedding is Kidman’s finest performance to date, playing a brittle, brutal best-selling author who believe she is the actual center of the universe, opposite Jennifer Jason Leigh as her titular sister. Fearless work.
Upcoming, Current and/or Recent: Next year, she will star in HBO’s Hemmingway & Gellhorn for Phillip Kaufman and down the road she will play a trans man in Lasse Halstrom’s drama The Danish Girl, but this year she will topline John Cameron Mitchell’s adaptation of the Broadway smash Rabbit Hole. Most recently she was found singing to Daniel Day Lewis in the all-star Nine.
POPMATTERS SPONSOR: The new Michael Cera vehicle Scott Pilgrim opens 13 August, but is making a big push a bit early at this week’s Comic-Con. There’s a whole bunch of events planned (all the info after the jump), including live music from Gorgeous Got a Gun, who won the recent contest through Sonicbids, “Indie Rock vs. the World: Battle of the Bands”. There are also ample opportunities to meet the cast and crew of the film at Comic-Con and all the info on that will be available via this Twitter.
// Short Ends and Leader
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