Latest Blog Posts

by Sarah Zupko

14 Feb 2017


Dutch producer Junkie XL‘s latest music is the impressive new score from the Red Bull Media House film Distance Between Dreams that documents one of the greatest surf seasons ever through the eyes of surfer Ian Walsh. Junkie XL uses traditional analog synthesizers that roil with the waves of water in the video and mesmerize with gentle beats that seem programmed to reflect the very earth itself.

by PopMatters Staff

13 Feb 2017


Mike Schiller: There is something special, all right, about Lee Fields’ ode to his one true love. Soul music is so difficult to do well because its very name implies an authenticity that too many artists have a hard time conveying, while Fields manages to make it look easy. Maybe it’s because he’s been doing it so long, maybe it’s because he truly believes what he’s singing, but Fields’ voice, his words, even the way he moves on the screen, all of this feels warm, and natural, and right. Leaving the spoken-word coda off this video cut was a smart move as well, as it allows “Special Night” to exist as a pure and true love song, with none of the melancholy rumination on loneliness that sets up the rest of the album. It’s an absolute gem. [9/10]

by PopMatters Staff

10 Feb 2017


Andrew Paschal: The geometric, digitized music video befits the clunky, clattering electronics that form the skeleton of the first half of “RVK”. These first few minutes are interesting enough if a little graceless and borderline irritating. It’s Raphaelle’s vocal contribution, coming in during the song’s latter half as it morphs into a moody, ambient reverie, which imbues “RVK” with real pathos and elevates it to a higher level. [7/10]

by PopMatters Staff

10 Feb 2017


Steve Horowitz: This track and video kick serious butt, taking on the problems of the world in a direct, powerful, and poetic manner. Tempest raps straight and true, pointing out the bullshit (literally) and distractions along the way. The beat is steady, the imagery thoughtful and compelling, but it’s the words that carry the weight. Freakin’ awesome and scary. The lessons told are too complex for restatement other than to say we live in perilous times and it may be too late to do much about it other than to tell each other the news lest we each think we are nuts for thinking bad thoughts. [9/10]

by PopMatters Staff

9 Feb 2017


Morgan Y. Evans: I dig how catchy this is as a woman supportive anthem from a bunch of skinny British dudes. It makes you want to dance hard and high five all the cool, strong women you know. A lot of times depth has a hard time co-existing with groove and hooks unless you find a sweet spot. I mean, that is why some songs can be pure shit lyrically, but you still feel compelled to move your ass. “Alpha Female” reminds me of Radiohead and White Lies a little bit paired with the sort of relevant current events video aesthetic and sense of watching lives revealed through a camera lens that you get from M.I.A., for example.

//Mixed media
//Blogs

The Moving Pixels Podcast Explores 'This Is the Police'

// Moving Pixels

"This week we take a look at the themes and politics of This Is the Police.

READ the article