Latest Blog Posts

by Imran Khan

7 Apr 2017


Woman’s eerie, neon-coloured “Marvelous City” doesn’t exactly deviate from the throngs of electropop singles flooding the market as of late (often sadly referred to as EDM), but it does employ a pleasantly lush practice in ambient-pop noodlings. “Marvelous City” is rife with catchy hooks and harmonies, but its pungent atmosphere of orbiting synth waves is the draw here. Swelling with sonic panic and anxiety, the number overflows like a cauldron of anti-romantic synthpop.

by PopMatters Staff

7 Apr 2017


Steve Horowitz: The electric guitar lead, no matter how synthesized, gives this song an edge. And the fact that the guitar remains ever-present without breaking out into a wack solo is even better. Migos do a great job of keeping things simple without being dumb. The lesson is that everything costs something. Don’t be fooled by what is hidden. The melodic rap reveals that packaging is just that, but reality will always find a way to assert itself. Migos delivers the goods, and that’s all there is to it. No hidden meanings here. You gotta pay the price, that’s all. [8/10]

by PopMatters Staff

6 Apr 2017


Paul Carr: Since their inception, Run the Jewels has set the bar phenomenally high, and with every new single they seem to manage to vault cleanly over it. Here they mix a deceptively simple backing with their thunderous flow with words flipping and leaping like salmon during mating season. As always they blend a serious contemporary message with their wry sense of humor. The call and response bridge is remarkably effective, showing that this isn’t just a band, this is an institution. [9/10]

by Sarah Zupko

6 Apr 2017


North Carolina singer-songwriter Malcolm Holcombe possesses one of those deep whiskey-soaked voices that come from a life spent working and playing hard. A voice like that can’t be faked; it has the authenticity born of living life through less than advantageous circumstances, and it can also be a voice of deep wisdom. Holcombe’s music comes from the country blues side of the mountain where plainspoken lyrics rest atop spare acoustic arrangements played with feeling. But Holcombe also weaves folk and country into his work. He’s about as Americana as one can be.

by Jedd Beaudoin

6 Apr 2017


We are pleased to provide a stream of the first Jesters of Destiny release in 30 years, The Sorrows That Refuse to Drown, out April 7 from Ektro Records. Making new music wasn’t difficult for Jesters Bruce Duff and Ray Violet, though the founding masterminds admit they were perplexed by the emergence of new sounds after all this time.

The pair began the writing cycle for The Sorrows That Refuse to Drown independently and without a central goal in mind. When they realized that the songs contained the classic sense of Jesters-style eclecticism, they agreed to work on the third installment in their long and winding story.

//Mixed media
//Blogs

Smudge and Jury: The Punk-Noir Pulp of 'I, The Jury'

// Short Ends and Leader

"With all the roughneck charm of a '40 pulp novel and much style to spare, I, The Jury is a good, popcorn-filling yarn.

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