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by Matt Mazur

3 Nov 2010


Though I normally will follow Naomi Watts wherever she wants to take me, her latest film—about outed CIA agent Valerie Plame from Bourne director Doug Liman—failed to fully ignite despite a committed performance from the actress.

The problem seemed to be in Liman’s turgid desire to turn the actress and the character into a real-life, female version of Bourne. There is unfortunately nothing new brought to the conversation from Liman and screenwriter Jez Butterworth (Birthday Girl), leaving Watts and co-star Sean Penn (who were so electric in 21 Grams together) grasping at cliches and regurgitated news from 2003.

Fair Game will be out in limited release November 5 and will expand throughout the month, but don’t beat yourself up if you can’t make it to the theater - this is a film that will play just fine on DVD, on the small screen. If you are looking for a dose of Watts that is far superior, check out her remarkable work in Rodrigo Garcia’s Mother and Child.

by Devin Mainville

3 Nov 2010


Brother Ali is back to doing what he does best; making hip-hop music with some substance. His newest album, Us delves into the deep issues of the human condition; the strengths and flaws that make us all human. “Breakin’ Dawn” is the second official video from the album, which was released September 22, 2009. The video is an epic five-minute tale, beautifully drawn by animators Rob Engle, Dave Irion, and Evan Sheldon. You can also find Brother Ali on the “How the Grouch Stole Christmas Tour” with The Grouch, Eligh, and Los Rakas.

by Timothy Gabriele

3 Nov 2010


Sounds of shock, wonder, and ecstasy are easily mistaken for one another, and it’s this type of mystery that the Moon Wiring Club feed off of. This collection of recycled TV clips seems mostly secondary to showcase the new tune, but that girl shining the weird light in her eye is pretty mesmerizing.

by Timothy Gabriele

2 Nov 2010


From the semi-16mm black and white suburban lawn noodling to the explosion of the flower power in the chorus, the video for Tamaryn’s “Dawning” is as honest a genre replication as is the song, which goes for pure dreampop affect. Luckily, they’re better at it than others who’ve attempted the same thing in recent years.

by Chris Colgan

2 Nov 2010


New York may be well known for its plentiful hardcore scene, but with so many musicians clinging to the minimalist nature of hardcore in one area, other bands will undoubtedly attempt to adapt that simplistic style into something more complex and forward-thinking over time. Tombs, the new project from ex-Anodyne frontman Mike Hill, is one such band, drawing on their roots and multiple outside influences to create a unique, appealing sound. The “minimalist” aspect of their sound comes from their raw, uncut production, similar to seminal hardcore bands like Black Flag and Minor Threat, and even approaching the levels of black metal artists such as Darkthrone at times. However, there is nothing simple about their compositions, with sound like the darkest nightmares of Gojira or Mastodon. To put it another way, Tombs is the bastard child of noise-rockers Unsane and post-metal visionaries Neurosis—raw, heavy, progressive, and unrelenting across the board.

Check out the track “Course of Empire” after the jump, taken from their upcoming collection of early and unreleased material, entitled Fear Is the Weapon (November 9th, Relapse). The band is getting ready to release a new album next summer, but until then, you can catch them on tour on one of the dates listed below the stream.

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Searching for Wholesome Online Fun: LDS Gamers

// Moving Pixels

"While being skeptical about the Church ever officially endorsing video games, LDS gamers remains hopeful about the future, knowing that Mormon society is slowly growing to appreciate gaming.

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