Latest Blog Posts

by Jedd Beaudoin

12 Oct 2017

Envy on the Coast offers up a new video for its soulful, danceable track “Virginia Girls”, culled from the duo’s latest EP, Ritual.
Vocalist Ryan Hunter partner Bryan Byrne wrote the screen treatment, directed, cast, shot and edited the video at the famed Paramount on Long Island.

by Jonathan Frahm

12 Oct 2017

Indie folk quartet Gestures & Sounds have been celebrating the recent release of their new album, Bill Nye Thinks We’re a Band. The record features a broad spectrum of sonic delights indicative of the band’s eclectic sound.

by Brice Ezell

12 Oct 2017

With the four studio albums they have to their name so far, Belfast’s own And So I Watch You From Afar have perfected an instrumental playbook whose mantra requires a lot out of these musicians. Just about every one of And So I Watch You From Afar‘s songs involves the band tying itself into a series of seemingly irresolvable knots, with tricky time signatures and zip-fast guitar leads coalescing into mind-rattling figures. Yet by the end of each song, the quartet finds its way out. That is a rare act that makes a conservatory-worthy music clinic sound like an absolute blast; for a band of this caliber, it’s easy to indulge in time signatures as an end in of themselves, but these guys have figured out how to make instrumental prowess and infectious songwriting go hand in hand.

by Jonathan Frahm

12 Oct 2017

As First Aid Kit has proven, there is a concerted respect for Americana music in Nordic countries. The latest to be bubbling up to the top in the region is Norwegian band Darling West, who is gearing up to release their third album in early 2018.

by PopMatters Staff

11 Oct 2017

Tristan Kneschke: ZelooperZ lends raps to Shigeto’s latest banger, finding the pair indulging in a healthy dose of bizarre humor and occult imagery throughout “Barry White”. ZelooperZ raps in a room filled with girls entranced by his lyrical skills, their hair waving uncontrollably as the MC becomes a verbal snake charmer. Even an eight-year-old girl becomes bewitched, and while it’s tough to imagine her even being aware of Ghostly International, that’s part of the fun. The whole affair walks several aesthetic lines; between the synthwave pink-blue lights, the slow, reversed-hair beauty, and the cloaked figures, the video leaves one with an unsettling feeling, even though its producers don’t seem to be taking things all that seriously. [7/10]

//Mixed media

NYFF 2017: 'Mudbound'

// Notes from the Road

"Dee Rees’ churning and melodramatic epic follows two families in 1940s Mississippi, one black and one white, and the wars they fight abroad and at home.

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