Latest Blog Posts

by Adrien Begrand

25 Aug 2015


Hailing from Upstate New York, Winston Dunlop and Michael Diaz met in the fifth grade, bonded over their love of Animal Collective and Joy Division, started to make music, eventually discovering early King Crimson on the way to writing and recording their debut full-length album. So their bio says, anyway.

by Adrien Begrand

25 Aug 2015


Portland’s the Lonesome Billies incorporate classic country and Southwestern themes much like the Sadies and Calexico, and you can hear it immediately on “1922”, a selection from their upcoming debut album It’s Good to Be Lonesome.

by Adrien Begrand

25 Aug 2015


Americana duo Doug and Alyssa Graham (The Grahams) released their second studio album Glory Bound back in May. On that record is a song called “Gambling Girl”, which as it turns out is a wonderful woman’s response to the classic American traditional “Delia”, on which Alyssa turns the table on the classic story. They’ve just completed a video for the track, one that puts the great Jane Russell in the title role.

by PopMatters Staff

24 Aug 2015


Paul Duffus: Wolf Alice get a couple of things very right here. Firstly, the line “You’re a dodgy fucker as well!” is a decent way to end a chorus. Swearing is good and more bands should consider it as a way of adding caffeine to their lyrics. Personally I wouldn’t have ended the line with “as well”, which is weak. After “fucker”, maybe go for a c-bomb to finish things off with a bang. Just stick the second person personal pronoun in before it to make up the syllables, and boom: We have Rock! It doesn’t need to make sense. Secondly, the video is great. You get to see the band getting killed over and over again, which is also something many other bands should consider in their promos. It offers a bit of catharsis if the song is especially bad, which, well, this kind of is. Sort of grungy, poppy, rocky, there’s a kerrannngg from the guitar about 30 seconds in, which you hope is going to signal all kinds of groin-pumping heaviness, but turns out to be only a passing thought. Any awesomeness hinted at by the video and that one moment of axe-gasm never materialises. [5/10]

by PopMatters Staff

24 Aug 2015


Timothy Gabriele: Say what you will about Wham’s “Freedom” and its partial response, George Michael’s “Freedom ‘90”, but both could have only arose as a result of their time. The former, a series of bright stomping synth chords arguing against a woman’s autonomy that they somehow fashioned into a music video crying for democracy to break loose in Communist China (sadly it didn’t work, but it can be argued that China did instead “Make It Big”). The latter, a series of house vamps and slinky R&B riffs whose lyrics seem to be a rejection of music’s reliance on image that Michael somehow fashioned into an iconographic music video full of naked supermodels lip-synching the tune. !!!’s “Freedom! ‘15” could have come about from any number of recent eras. The thing that distinguishes it the most from straight-up West End/late era Prelude disco is some raw distortion. Perhaps the video’s silly but fun combo of web 1.0 and mobile ’15 technology is an attempt to rectify that.

//Mixed media
//Blogs

Ubisoft Understands the Art of the Climb

// Moving Pixels

"Ubisoft's Assassin's Creed and Grow Home epitomize the art of the climb.

READ the article