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Friday, Oct 20, 2006
by PopMatters Staff


The Baldwin Brothers
Return of the Golden Rhodes [TVT Records]


“While Chicago’s Baldwin Brothers readily admit their love of the Flaming Lips, the Avalanches, 60s jazz, Kraftwerk and house music, their new album is hardly just a pastiche of their influences. Most importantly, the Baldwins bring the groove.”—TVT Records

Download “Leave the Past Behind” (MP3, 192kbps)
Download “The Party’s Over” (MP3, 192kbps)



Bing Ji Ling
Fire & Ice Cream [Kreme Kul Records]
Download “Forever” (MP3, 192kbps)
Download “What Went Wrong” (MP3, 192kbps)
Download “Can’t We Be Friends” (MP3, 192kbps)


“Equal parts Prince, Steve Wonder and Sly Stone, San Francisco’s favorite ice cream man churns out 11 servings of the smoothest white-boy funk and soul.”—Kreme Kul Records

Buy at iTunes Music Store



So Percussion
Amid The Noise [Cantaloupe Music]


“Four Tet and Tortoise meet Aphex Twin and Brian Eno in So Percussion’s breakout indie-electronica project, “Amid the Noise.” To be released alongside So Percussion’s national tour with (Bjork collaborators) Matmos this October, and represented by the publicist of Sufjan Stevens and Sigur Ros, this disc pushes So Percussion into the limelight as a one-of-a kind band of 4 drummers.”—Cantaloupe Music

Download “Work Slow Life” (MP3, 192kbps)
Buy at iTunes Music Store


Simon Dawes
Salute the Institution [MP3]


Cibelle
Phoenix [MP3]


Cut Copy
Going Nowhere (Whitey Remix) [MP3]


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Monday, Oct 16, 2006
by PopMatters Staff
PopMatters Sponsor Pepper

:


Kona, Hawaii’s favorite sons make their long-awaited Atlantic/East West Records debut with their fourth studio album, No Shame. It’s a bold artistic leap forward for the Island-born-and-bred trio. No Shame defines what Pepper (Singer/Guitarist Kaleo Wassman, Bassist/Vocalists Bret Bollinger and Drummer/Vocalist Yesod Williams) is all about.

No Shame [MP3]
Your Face [MP3]


Pepper—Making the “No Control” video Scoop


Penelope Jones
No Matter What They Say feat. Mya [windows | real]
Miss Me With That Fooishness feat. Lil Wayne [windows | real]


Oxford Collapse
Please Visit Your National Parks [MP3]


Band of Horses
The Great Salt Lake [MP3]


Bound Stems
Western Biographic [MP3]


Triffids
The Sea Birds [MP3]


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Friday, Oct 13, 2006
by PopMatters Staff

“Lynyrd Skynyrd was probably the greatest American rock band of all time, backing their triple threat guitar sound with exceptional songs that brought significant elements of blues, soul, and country music to the mix.”
—Roger Holland, PopMatters review of Lynyrd Skynyrd’s Gold.


Lynyrd Skynyrd—“Gimme 3 Steps”


Lynyrd Skynyrd—“Call Me the Breeze” [crank up the volume, the sound quality is poor, but this is one of Skynyrd’s finest songs, especially live]


Lynyrd Skynyrd—“Free Bird” [Live in Oakland]


Lynyrd Skynyrd—“Sweet Home Alabama” [Live on The Old Grey Whistle Test]


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Thursday, Oct 12, 2006
by PopMatters Staff


“The Waylon Jennings boxset Nashville Rebel gives reason to consider Jennings as not just a country-music outlaw, but a Wurlitzer Prize winner, whose voice from a jukebox can erase all the pain in the world just by giving voice to it.”
—Dave Heaton, PopMatters review of Nashville Rebel


Waylon Jennings - “Are You Sure Hank Done It This Way”


Waylon Jennings and Willie Nelson—“Good Hearted Woman”


Waylon Jennings—“Me & Bobby Mcgee”


Waylon Jennings—“Lonesome On’ry and Mean”


Waylon Jennings and Johnny Cash—“There Ain’t No Good Chain Gang”


Waylon Jennings—“Amanda”


Waylon Jennings on Austin City Limits


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Wednesday, Oct 11, 2006
by PopMatters Staff

Eric Bachmann —"Carrboro Woman"
From To The Races on Saddle Creek.
Returning home from tour to no commonly-defined home, Eric Bachmann largely wrote his new album, To The Races, in June and July of 2005 while voluntarily living in the back of his van. Bachmann made the best of the hospitable Northwestern summer by setting up home and shop in his vehicle, and found that living like a makeshift Siddhartha worked well for him: he used the time to craft the unadorned and unapologetically forthright collection of songs that compose his first Saddle Creek release.



The Awkward Stage —"The Morons Are Winning"
From Heaven Is For Easy Girls on Mint.
In a musical climate that has never been more artificial, commercialized, and commoditized, what with television commercials replacing record stores, radios, and live venues as the new medium by which new artists get discovered along with the whole American Idol phenomenon wherein we are shown the card trick, taught how it is done, shown how empty and vacuous the industry has become, and yet we still line up for more. For those of us feeling the cultural atrophy, and yet who enjoy good pop culture, The Awkward Stage is at the forefront of that return to quality and, quite simply, pop artistry.



Chin Up Chin Up —"This Harness Can’t Ride Anything"
From This Harness Can’t Ride Anything on Suicide Squeeze.
As anyone who’s lived there can tell you, the Midwest can be an unforgiving place. The winters are freezing, the summers are humid and it’s easy to feel landlocked by the vastness of earth in every direction. Chicago’s Chin Up Chin Up have successfully embodied that feeling with their second full-length, This Harness Can’t Ride Anything;  yet as bleak as things may appear, there’s a pervasive feeling of hope inherent in the band’s brand of avant pop which stretches further than the Windy City’s skyline.



Rafter —"Bicycle"
From 10 Songs on Asthmatic Kitty.
All the day-in-day-out experience of working with every conceivable genre/instrument/taste has created a Frankenstein richness that Rafter employs to grand effect. Electro-keyboard chug and gurgle is matched with wind/string flourish, raw drum melded with toy piano plink and banjo plunk. The wire that runs through and connects these disparate structures is a wide-openmindedness when it comes to style and sound, and a lyrical essence that more often than not trades the circuitous metaphor for the straightforward communique.



Jeremy Enigk—"Been Here Before"
From World Waits on Lewis Hollow.
The last time Jeremy Enigk, the singer and songwriter for emo-core pioneers Sunny Day Real Estate and The Fire Theft, released a solo album, Hilary was testifying about Whitewater, Dolly was being cloned, and the Ramones were about to play their last gig. It’s been awhile. If World Waits has more rock and less chamber texture than its predecessor, they both share a timelessness in sound that has roots in Enigk’s lifelong love for The Beatles, The Who and vintage U2.


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