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by PopMatters Staff

28 Nov 2016


Photo: Laura Jane Coulson

The xx have just dropped the third video from their eagerly awaited new album I See You that releases January 13, 2017 via Young Turks. The new single is “On Hold” and the band says, “the video is directed by the brilliant Alasdair McLellan, whose work we all adore. It was filmed in Marfa, Texas, a very special place to us, where we wrote and recorded some of our new album. We have a lot of love and respect for the people of the USA, having played hundreds of shows across the country over the past years. We hope this video reflects just some of the warmth and acceptance we have encountered there.”

by Sachyn Mital

28 Nov 2016


The year after Jóhann Jóhannsson won a Golden Globe for his score for The Theory of Everything, the Icelandic composer continues to stay at the top of his game. In 2016, Jóhannsson has released two works, his third collaboration with director Denis Villeneuve for the score of Arrival and his first artist album in over seven years, Orphée.

by Jedd Beaudoin

18 Nov 2016


Detroit-based genre-hopper Klayton (Celldweller)’s synthwave project Scandroid offers up a new cut from the much-anticipated self-titled debut, a cover of the Tears For Fears classic “Shout”, which we are pleased to premiere now. While remaining faithful to the spirit of the original, Scandroid has added a smart, contemporary vibe to the tune with brilliant blasts of synths and a loving nod to the pop sounds of the ‘80s. Klayton has apparently between waiting to record “Shout” since hearing the original just over 30 years; what’s apparent in his version is that he knows each change and lyric well and tempers his reverence with a healthy dose of originality.

by PopMatters Staff

17 Nov 2016


Paul Carr: This is as spellbindingly beautiful as music gets. The deep tones of Cale may have been supplanted in the memory by Buckley’s higher pitched and sensational reading of Cohen’s classic but this is no less soul-stirring. It doesn’t matter that Cale’s cover came first. There is more than one way to cover a song and both Buckley’s and Cale’s are remarkable in their own way. Cale’s slightly more world-weary take adds even more emotional heft to the song. At times it’s almost too difficult to listen to, draped in the dark cowl of the imagery and the attachment that the listener already has for the song. [10/10]

by Jedd Beaudoin

17 Nov 2016


Photo: David Fitt

“Your Skin Won’t Hide You” is the new track by Belgium’s Emptiness, from the group’s upcoming LP Not For Music. We are pleased to premiere it today. Emptiness has forged its own path in the world of extreme music by doing the unexpected, something that can be heard in the haunting, opening guitar figure on this track. The eerie, repeated part calls to mind the transformative qualities of minimalism. At first the repetition rubs, maybe even annoys, until it becomes such a consistent and powerful companion that the listener can’t imagine life without it.

Jeremie Bezier’s low, growling lyrics add an equally unsettling quality to the track, deepening our sense that we have somehow landed in a world or dimension where all is slightly askew and what we thought we believed or had determined to be true was anything but. This is one of the greatest qualities heard in the music of Emptiness, the ability to make the known unfamiliar and the unfamiliar even more frightening and uncertain. This is not music about comfort but instead about life’s disquiet, unrest and the fear that wants to grip us all.

//Mixed media
//Blogs

Emerging from My Hiatus from Big Budget Games

// Moving Pixels

"I'd gotten burned out on scope and maybe on spectacle in video games, but I think it's time to return to bigger worlds to conquer.

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