Canadian indie poppers Royal Canoe released their latest album, Something Got Lost Between Here and the Orbit, just last week and the band’s new single is the catchy, groove-laden “Bicycle” that quickly establishes itself as a bonafide earworm. The tune is backed by this lovely new animated video created by Bill Acheson and Matea Radic. They’re going to tell us about how they made the video, but please be sure to check out the band’s huge list of tour dates below so you can catch them live.
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British singer-songwriter Rumer steps away briefly from recording her own music on her new album, This Girl’s in Love: A Bacharach and David Songbook, to celebrate the timeless hits of Burt Bacharach and Hal David. Bacharach and David’s songs are known for their breezy sophistication where light as air melodic confections rest on top of complex harmonic structures. At first glance, a tune of theirs might seem simple, but the songs are incredibly rich and they require the very best vocal interpreters. Of course, Dionne Warwick is most known for her takes on Bacharach and David tunes and now Rumer is adding the music to her repertoire.
“I couldn’t have made this album five years ago,” says Rumer. “I think I’ve now got a wide enough emotional palette to draw on for these songs’ characters and stories. That kind of insight only comes as you get older.” Indeed. Hear Rumer’s take on the classic “Walk on By” now and check out This Girl’s in Love: A Bacharach and David Songbook when it releases October 21st via Rhino Records.
London’s Blue House makes lovely, intricate indie pop music so light and airy that the melodies could be pasted on gentle rolling clouds passing above your head. “John the Unready” is one of two tracks that the duo, James Howard and Ursula Russell, released on September 9th via Canvasclub, Canvasback’s imprint for singles by up and coming musicians. Hushed “ba ba ba’s”, understated guitar lines, languid synth washes create a state of utter dreaminess. The video is animated and featuring a rabbit. Howard says, “Respect to Tjoff Koong Studios for making something so good with my cryptic instruction that ‘I imagine the video involving a rabbit.’”
Evan Sawdey: Forget the fact that half of all of pop- and indie-dom (i.e. Diplo, Yeah Yeah Yeahs, Ezra Koenig) worked on this song in some capacity or another. The star of the show is (and always was) Beyoncé. “What’s worse / Lookin’ jealous or crazy?” she asks to her philandering man, and that one line, by itself, is defining: it’s not so much about her emotion, which in fact she’ll always carry inside her, but how she presents it. That’s the issue. This fella is burned no matter what, so here she is, in the unenviable position, trying to maneuver how to handle the way that people will perceive this blow up. When you get down to it, it’s about control, and even when he’s out of control, she’s going to do all she can to mitigate the situation. Therein lies her power, and therein lies her brilliance. It’s intense psycho drama, but lord you can also dance to it. [10/10]
Driftwood is a perfect name for this band of restless musical spirits and road warriors as the group describes their work as rooted in the land while exploring genres such as Americana, folk, old-time, punk, pop and rock ‘n’ roll. It works beautifully as Driftwood naturally inhabit whatever influences they choose to employ on any given song. Playing more than 150 dates every year has turned Driftwood into a high performance machine, a super tight band that can thrill crowds and craft great records with relative ease.
// Moving Pixels
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