Dum Dum Girls I Will Be
Releasing: 30 March
1960s girl pop stages a resurrection with the 30-minute, 11-song debut album of the Dum Dum Girls.
01 It Only Takes One Night
02 Bhang Bhang, I’m a Burnout
03 Oh Mein M
04 Jail La La
05 Rest of Our Lives
06 Yours Alone
07 Blank Girl
08 I Will Be
09 Lines Her Eyes
10 Everybody’s Out
11 Baby Don’t Go
Future Islands have signed to Chicago indie Thrill Jockey and are releasing their debut EP on the label this April to be followed by the full-length In Evening Air this May. The “Tin Man” MP3 appears as the lead track on the In the Fall EP, while the band has also put out the video below of “An Apology” from the upcoming album. Today the band made “In the Fall” available as a free MP3.
Rap star Akon’s March arrival in India has gone viral on the net-boob-tube, and youth commentators seem to have descended into a frenzy of excitement over the star’s potential work here in Bollywood. As a commercial rapper, Akon raps about women, but only the ones who strip and swing from poles. With global marketing deals as the spokesman for Fair and Handsome skin bleaching cream, Shahrukh Khan has appeared in TV commercials ridiculing skin half as dark as Akon’s, telling these darkies that they’ll never be successful in their careers or with women. What a match. Wow, hopefully Shahrukh Khan does not try to get Akon to use Fair and Handsome. That would be sad, but perhaps it will work the other way around. Maybe Kareena & SRK will find Akon’s chocolate skin so beautiful that they will stop promoting self-hate through self-destruction. Bleaching literally destroys the skin. Indeed, there’s no questioning that skin bleaching physically damages the skin, but to that I would add that skin bleaching destroys the spirit and births and nourishes a false self.
In the welcoming ceremony, a real craft in modern publicity, Akon claims to have this long interest in India and her popular culture. Yet, as an exotic star (blacks are popular in the Indian imagination and popular culture in a narrow range of stereotypical roles from blinged-out rappers, to cricketers, to criminality), he will likely continue to receive his local laudation and respect. Yet, like many other Africans who settle here in India and are confronted regularly with signs and symbols of India’s color caste, how might this impact this deliciously chocolate global superstar? Will his exotic roots and international status trump his darkness here in India? Will Akon rap about the Indian color caste? Though we would all like to sit aback and enjoy this Afro-Indian love, we cannot and should not let Mr. Khan off scot-free, not when millions of individuals around the world revere him as an icon and worship him as an idol, and he chooses to earn money through self-promotion and damaging habits. This is nothing short of gross.
Finally, on the streets of Delhi, Akon has undoubtedly made his mark. Here, for example, Once I encountered a group of adolescent boys in a park in South Delhi. Perhaps it is my gender and black skin that attracted the youth to me, announcing my admission into the global hip-hop corpus. The boys approached me as I sat quietly on a park bench one day, buffering my time spent at work, with the evening at home. At 14, the boys knew all the lyrics about girls swinging on poles. See for yourself:
“I see you windin’ & grindin’ up on dat pole” by adolescents on the streets of Delhi!
Finally, an all-star charity jam you might be interested in for musical reasons as well as altruistic ones. Legendary Pogues frontman Shane MacGowan assembled a small but impressive group of friends for this cover of Screamin’ Jay Hawkins’ “I Put a Spell on You”, including Nick Cave, Mick Jones, Johnny Depp (he of the ubiquitous guest guitar spot), Chrissie Hynde, and Primal Scream’s Bobby Gillespie. There are few non-legends hanging about as well (Paloma Faith, anyone?), but I guess we can’t all be Chrissie, now can we?
These days, when Shaney Mac isn’t commented on for much more than his relationships with dentists or bartenders, it is nice to see him actually make this single happen. All proceeds go to Concern Worldwide for Haiti relief.
Leave it to Peaches to make the drug references in The Wizard of Oz a bit less oblique. The video for “Billionaire”, from her latest album I Feel Cream looks like a Keith Haring by Patricia Field acid trip, where the flying monkeys have boobies and the joints are bigger than Toto’s head. Guest MC Shunda K comes in at the end to save the day…now I know we’re not in Kansas anymore.