Fitting somewhere between Suicide, Tangerine Dream, and Giorgio Moroder, Dallas trio Nervous Curtains excel at creating uncomfortable yet compelling post-punk utilizing only synths and drums. In the wake of a quiet 2014 that saw member Sean Kirkpatrick play keyboards on Swans’ monumental album To Be Kind the band is back with Con, their third album. Produced by Daron Beck of the great, similar-minded duo Pinkish Black, the new record fuses experimentation, vintage sounds, and strong melody, yielding a piece of work of unrelenting tension yet remaining accessible all the while.
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Singer-songwriter Mike Grubbs, better known in Brooklyn circles as Wakey Wakey, has just released a new EP called Homeless Poets on the heels of his 2014 album Almost Everything I Wish I’d Said the Last Time I Saw You. He’s just put together a charming little video for the standout track “Adam & Eve”, which can be streamed below.
The new trailer for The X-Files revival premiered last night during Gotham and it ticked off plenty of boxes for X-philes. Mulder, Scully, and Skinner reunited? Check. The iconic “I Want to Believe” poster? Check. A huge government conspiracy looming over everything? Check. The return of the Cigarette Smoking Man? Check. The X-Files is back in a big way and “the truth is still out there”.
Australian singer/songwriter Marta Pacek released her album Voodoo Dolls & False Alarms last year, but has recently started a promotional push to get her work noticed in America and elsewhere with a series of well-crafted videos. Her latest is a clip for her latest single, the haunting and thoughtful song “Atheist Prayer”. It’s one of the best moments on the record, so it’s good to see it given some deserved attention.
The American folk standard “Sugar Babe” (or “Sugar Baby” as it came to be widely known) dates back to the early-20th century “rounder” songs of the Appalachian South, played on five-string banjo. Old-time singer Dock Boggs is the most famous performer of the song, having learned it from his brother and recorded it in 1927, which then became one of the most memorable tracks on Harry Smith’s epochal Anthology of American Folk Music.