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Friday, Sep 29, 2006
by PopMatters Staff

PopMatters Sponsor


A GUIDE TO RECOGNIZING YOUR SAINTS opens in theatres in New York and LA this Friday.


This Sundance and Venice Film Festival award winner stars Robert Downey Jr., Shia LaBeouf, Chazz Palminteri, Step Up’s Channing Tatum,  Dianne Wiest and Rosario Dawson. 
[Official Web Site | MySpace]


A Guide To Recognizing Your Saints—Official Trailer


Trailer at Apple


Sundance Channel’s Festival Dailies - In the Can: A Guide to Recognizing Your Saints


A Guide To Recognizing Your Saints - 100 Degrees


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Tuesday, Sep 26, 2006
by PopMatters Staff

OOIOO
Uma [MP3]


Tiga
(Far From) Home [MP3]


TV on the Radio
Wolf Like Me [MP3]


Tom Waits
Bottom of the World [MP3]


Ben Kweller
I Don’t Know Why [MP3]


Emily Haines
Doctor Blind [MP3]


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Friday, Sep 22, 2006
by PopMatters Staff

“Music historians may not go out of their way to be kind to Death Row Records or its founder, Marion “Suge” Knight. Due to the murders of Tupac Shakur (“2pac”) and Christopher Wallace (“the Notorious B.I.G.”), Knight and his company may go down in history as the record label that went ballistic in the infamous East Coast-West Coast beef. But when you listen to Snoop Dogg’s Tha Doggfather, the Murder Was the Case soundtrack, and a compilation of Dr. Dre’s Death Row gems called Chronicles, one thing is clear: Death Row brought us some of the most compelling music of the 1990s.”
“The Dogg, The Doctor, & Death Row” by Quentin B. Huff [PopMatters feature]


Dr. Dre and Snoop Dog—Nuttin’ But a ‘G’ Thang


2Pac—California Love


2Pac and Snoop Dogg—2 of Amerikaz Most Wanted [live]


Dr. Dre—Fuck Wit Dre Day (And Everybody’s Celebratin’)


Snoop Dogg—Murder Was the Case


2Pac—Changes


Dr. Dre—Let Me Ride


Snoop Dogg—Doggy Dogg World


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Wednesday, Sep 20, 2006

The Whigs
Give ‘Em All a Big Fat Lip
ATO Records
Download “Technology” (MP3, 192kbps)
PopMatters Review: Give ‘Em All a Big Fat Lip


Although Athens, Georgia club favorites The Whigs have built enough momentum over the last couple years to snag opening slots for trendy, high profile bands like The Killers and Franz Ferdinand, the music of The Whigs actually hearkens back to the glory days of indie rock during the early 1990s, when American indie rock was at is most indomitable and vibrant. They might hail from Athens, the home of R.E.M., Neutral Milk Hotel, and the Drive-By Truckers, but The Whigs’ own version of Southern indie rock, while indebted to early R.E.M., sounds inspired mostly by bands from further north, more specifically, Chapel Hill, North Carolina’s Superchunk and Archers of Loaf, with touches of Dinosaur Jr. and Built to Spill tossed in as well. When performed well, that kind of simple, mega-amplified music can still sound thrilling, and judging by the apparent success of The Whigs’ live shows, and the potency of the live recordings this writer has heard, the robust sounding trio of guitarist/singer Parker Gispert, bassist/guitarist Hank Sullivant, and drummer Julian Dorio are certainly on the right track.  (Album re-released 09/19/06 on ATO Records)

PopMatters Feature: “Athens’ Rich Pageant: The Whigs Breathe New Life into the Famed College Rock Capital” (11/19/04)


Tagged as: the whigs
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Wednesday, Sep 20, 2006
by PopMatters Staff

PopMatters feature: “Indie-Rock Stripes”


As Lannon explains the creative process behind Film School’s most recent album, I get a sense of the band’s flexible songwriting dynamic: ” ‘11:11’ and ‘On and On’ - those songs were done as jams all at once. ‘Sick of the Shame’ was an idea Krayg had on guitar and then I put all this electronic shit behind it. ‘Pitfalls’ was a loop I had on my pedal, and we built it around that. ‘Like You Know’ started off as a country jam Justin was playing on acoustic, and we made it a ballad with heavy droning guitars over it. I tend to come up with stuff in the moment when all five of us are jamming or in my studio all alone. Justin and Krayg will have a chord progression. They’ll bring it in to see if it works.”

Film School—11:11


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