Blur's big comeback single turns out to be a weird little number that will appeal to only hardcore fans. Thank goodness.
The best part about “Go Out”, the lead single from Blur’s first full-length album in 12 years, is that a lot of people probably won’t like it.
Its side-stepping bassline and timid backbeat set the stage, but “Go Out” is, like all great Blur tracks, all about Damon Albarn’s stretched-out vocal phrasings interacting with Graham Coxon’s lyrical, expressive guitar work. The two collide and build upon each other to reach a climax that isn’t really that much of a climax, typical of the band’s mid- and late-period phases. Albarn finds an obtuse way to speak about isolation, dancing with himself, and then going out to the local (and sometimes, the lo-o-o-cal) on his ownsome, all while Coxon unleashes all the distortion he can out of his cheap pedal before trying to wrestle all of it to the ground in spectacular fashion, our ears caught up more in the struggle than the result. When you get down to it, this is a weird-ass little ditty, and therein lies its charm.