Boston band the Shills have created an interesting hybrid of sounds on their latest album Keep Your Hands Busy, Vol. 2, enough to frustrate any critic from making quick reference points for readers. There’s a touch of the angularity of post-hardcore, the effervescence of indie pop, the abstract nature of psychedelic rock, and the technical proficiency of progressive rock. A great example is the album’s first track “Oh, This Devilish Place”, a glossy, shimmering ear worm of a track that wriggles its way into your head with its sunny melodies and harmonies, not to mention some fantastic hand-claps at one point.
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With deep roots in folk music Jesse Milnes and Emily Miller offer an authentic look at America’s rich folk heritage on their latest album Deep End Sessions. With Milnes’s fiddle and Miller’s guitar—not to mention a harmonizing voice that echoes ancient recording of the Carter Family—the West Virginia-based duo are absolutely convincing on the classic traditional “Roving Gambler”.
The latest full KEXP session just hit the web and it’s from beloved Americana band Calexico. These KEXP sessions are becoming among our favorite performance videos, especially as they feature such a wide range of American roots music, intermixed with smart interview segments. Kicking things off with the utterly gorgeous “When the Angels Played”, this video features a number of the group’s latest tunes from Calexico’s Edge of the Sun played in stripped down acoustic fashion.
It’s no secret that we are huge Ashley Monroe fans around these parts. Her new album The Blade is one of the best country albums of the year and Monroe is having the best year of her career. Just today, the Grand Ole Opry shared an acoustic video performance of “I’m Good at Leavin’” from her latest record as part of their “Live from the Lounge” series.
Los Angeles-based singer-songriter Haroula Rose is preparing to record her third album, which is slated for a 2016 release, but in the meantime she’s recorded a series of covers for the fun of it. One in particular is noteworthy, that being her gently playful bluegrass rendition of the classic Loudon Wainwright III composition “The Swimming Song”.