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by Jedd Beaudoin

8 Jun 2017


Melodic hard rock act Station returns with the hook-laden “All You Need Is a Heartbeat”, a song that recalls an era of refined harmonies, guitar solos you could sing along with as easily as any chorus and cannon fire drums. Though it’s become fashionable to dismiss or parody the genre, Station carries out its mission with sincerity and passion, the sense that the era that launched Honeymoon Suite and Night Ranger mattered as much as any other. It did, of course, because it kept the tradition of smart songwriting alive while keeping pace with the times.

Patrick Kearney’s impassioned vocal delivery and Chris Lane’s impeccable guitar figures are built on the same foundation partnerships such as Bon Jovi/Sambora and Schon/Perry: A singer who can reach all the appropriate emotional heights and a guitarist who can spur him on to more. If the music is built on the past, it doesn’t necessarily live there. Station’s songs speak to timeless emotions and experiences, ones that transcend hairstyles, music charts, and amp settings.

by Sarah Zupko

8 Jun 2017


LOAH (a.k.a. Sallay Matu Garnett) is a new soul singer from Ireland of Sierra Leonean origin and her music blends West African rhythms into jazzy, groovy arrangements. It’s a highly sophisticated and irresistible sound with LOAH labeling what she does as “ArtSoul”. That’s an ideal descriptor for a song like “Nothing” that highlights her superb voice full of richness and color, but also showcases LOAH‘s compositional skills as “Nothing” is a gorgeously constructed song that’s instantly memorable.

by PopMatters Staff

7 Jun 2017


Adriane Pontecorvo: ODESZA’s “Late Night” is the perfect segue from spring into summer. Airy and free, it wafts between bass hits like a breeze. Ethereal vocal effects add a particular magic to the single, balancing out driving beats with a delicate touch. Even without words, this song inspires, rising on an elevated melody and never looking back. It’s a warm, starlit song full of possibilities, never too heavy to keep going. [9/10]

by Sarah Zupko

6 Jun 2017


California’s Art Feynman sports an impressive sound that blends elements of motorik and Afrobeat into a thrilling mix that comes across as something akin to chilled-out funk. On “The Shape You’re In” Feynman’s instrumentation and muted tones are economical but decidedly funky with slinky beats and hushed vocals. “The Shape You’re In” refers to our present political calamities as well as the dehumanizing effects of technology invading every aspect of our lives.

by PopMatters Staff

6 Jun 2017


Paul Carr: At first it’s a little jarring to hear a relatively straightforward rock song from Radiohead after years of ceaseless experimentation. Years that have seen the band morph into something almost unrecognisable to the one that changed modern guitar rock music in the late 1990s. The acoustic guitar, the marching, straight drum beat all seem like forgotten keepsakes from past relationships. However, in the context of OK Computer, it retains that visionary beauty of a band attempting to deconstruct the notion of a rock band and replace it with something subtle and more textual. Thom Yorke manages to capture the alienation and existential dread of the end of the millennium but does so through the simplest of ideas—a deceptively straightforward vow to stick around and never leave. A gorgeous and welcome trip down memory lane. [9/10]

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The Moving Pixels Podcast Discusses 'Tales from the Borderlands Episode 2'

// Moving Pixels

"Our foray into the adventure-game-style version of the Borderlands continues.

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