Could that person just be the devil? The trailer, which adopts the more-is-more approach when it comes to sharing narrative information, seems to say so. Devil, adapted from a story by M. Night Shyamalan and directed by John Erick Dowdle (Quarantine), tells the story of a group of people trapped in an office building elevator. Using some disorienting upside-down arial shots, the film looks promising. Could this be M. Night Shyamalan’s redeeming project following the critical slaughter of The Last Airbender? The film premieres in theaters September 17.
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Recent history makes clear that society is not always progressing. Take vampires, for example—or at least the mythologies surrounding them. While the undead bloodsuckers have never been more popular, much of their current fascination has been sparked by the Twilight franchise.
The basic, disturbing crux of the series rests on its deep advocation of traditional gender roles. Both the female’s feelings of emptiness when away from her lover for even an hour and the male’s obsession with domination in the name of “protecting” her are coded as incredibly, impossibly “romantic,” a celebration of old-fashioned, stalk-me-then-marry-me values.
Luckily, we have Buffy the Vampire Slayer to the rescue.
Seven years after the series went off the air, Buffy Summers remains a rarity in the world of American entertainment—a female character who is not attracted to a simpering pin-up who would kill her if only he didn’t love her so much.
The Film Society of Lincoln Center celebrates Ken Russell from July 30-August 5, 2010. Regarded as British cinema’s greatest enfant terrible, he’s also an English national treasure. Russell created an intensely imaginative visual language to tell his stories—employing a style that is as poetic as it is ferocious.
Screenings include: The Boy Friend; The Devils; Lisztomania; Mahler; The Music Lovers; Savage Messiah; Tommy; Valentino; and Women in Love.
Join The Film Society of Lincoln Center for six personal audiences with the legendary Ken Russell, British Cinema’s madcap visionary maverick, in person at all evening screenings.
Tickets are on sale Thursday July 15.
Diego Garcia led the indie band Elefant for a decade before the group broke up earlier this year. One thinks it must be because Garcia was itching to break out of the rock band format and explore new sounds. For his solo debut, Garcia drops the Strokesy New York rock and delves into his Latin roots with a softer, more contemplative sound that plays with South American rhythms and textures. The single we’re premiering today, “You Were Never There”, exemplifies this new artistic direction and luxuriates in rich strings and a deeper musical palatte.
Advocate of the snarling downtown scene and saxophonist extraordinaire Tim Berne has released many albums during his career. Some of them have vanished from stores completely (for those of you who still like to check out stores). But fear not, he and his team at Screwgun Records have been posting numerous collections on their website here for downloading. Not all of it is old and obscure, but what is here may surprise you. Of particular interest to yours truly was his collaboration with Bill Frisell, which has probably been out of print as long as most of PopMatters’ readers have been alive.
And for those of you who enjoyed mad guitarist David Torn’s album Prezens, on which Berne played, you can inexpensively purchase Slipped on a Bar; three pieces from the sessions that were left off the album. Don’t worry, they’re long.
// Moving Pixels
"We continue our discussion of the early episodes of Kentucky Route Zero by focusing on its third act.READ the article