Latest Blog Posts

by Jedd Beaudoin

17 Oct 2017


Photo: Chris Higdon

Louisville, Kentucky’s Wax Fang returns with a track to give you the shivers. Built on an eerie, hip-hop-ish rhythms, psychedelic-cum-horror rock keyboard figures and a devastatingly beautiful vocal take from Lacey Guthrie (Twin Limb), “Glass Island” bursts into a deep-cutting, prog-influenced ecstasy that’ll leave listeners marveling at the ease with which this quartet moves between these disparate spheres.

by Jonathan Frahm

17 Oct 2017


Despite their name, Americana quintet the Get Ahead has hit plenty of bumps on the road traveled so far. Yet, they don’t shy away from the tragedies and frustrations that they’ve faced together as a musical family. It’s an instrumental part of what makes their upcoming record, Mind Is a Mountain, so compelling.

by PopMatters Staff

16 Oct 2017


Tristan Kneschke: At this point in the Great Clown Presidency, fatigue has set in, which means that when overtly political works emerge, it’s easy to roll our eyes. But not so with “Mad as Hell”, which provides a novel angle. Taking its title from the famous Network rant “I’m as mad as hell, and I’m not going to take this anymore”, the video digs in further, appropriating World War II imagery to critique our current political climate. A deluge of screaming news headlines, a decapitated head of state, vintage political cartoons, and Meghan Remy styled as a dancing Rosie the Riveter interspersed throughout the archival footage make this video cohesive and poignant. While the anachronistic time capsule points to a simpler time for some, for others, it’s a stark reminder that some aspects of the US haven’t changed much, no matter the resolution and color vibrancy of our current tech. [7/10]

by Jonathan Frahm

13 Oct 2017


Photo: Joe Navas

Kris Delmhorst writes from the perspective of a being an experienced artist on her latest album, The Wild. The LP’s title is indeed indicative of the material present across its 12 tracks. According to the rising Americana artist—who’s backed the likes of Lori McKenna, Anais Mitchell, and many others throughout her 20-year-long career—she and her band make “sonic settings that make those difficult topics easy on the ears”.

by Jonathan Frahm

13 Oct 2017


Photo: Andrew Cebulka

The topmost appeal of Avi Jacob’s art is its honesty. Though his first memories consist of “feeling completely isolated, sad, and alone,” the Boston singer-songwriter willingly puts himself out there for his audience. The result is a warmhearted feeling attached to his overarching body of work, all set out to speak the truth, relating his melancholic life stories to others. Together, they achieve mutual healing.

//Mixed media
//Blogs

NYFF 2017: 'Mudbound'

// Notes from the Road

"Dee Rees’ churning and melodramatic epic follows two families in 1940s Mississippi, one black and one white, and the wars they fight abroad and at home.

READ the article