Latest Blog Posts

by Jedd Beaudoin

7 Sep 2017


Chicagoland’s the Safes have been delivering hook-laden anthems since 2003 with brothers Frankie and Patrick O’ Malley’s uncanny pop and pub sensibilities leading the charge. The latest offering, Tasty Waves, treats listeners to 10 tracks channeling Big Star, Guided By Voices and Rockpile. “Mediocre Jokers” and “Nobody Cares Anymore” recall the amphetamine-addled Beatles in their Hamburg days, but filtered through the future tense of New Wave, LSD and the oncoming train of postmodern irony.

by Jonathan Frahm

7 Sep 2017


Photo: Julia Robinson

Broken Bellows is a band that’s become known for fusing electronic production with a punk sentiment. Comprised of Cory Brent and Will Prinzi, the duo actually was a part of the pop punk band Reckless Serenade.

by Sarah Zupko

6 Sep 2017


Photo courtesy of Planet Mu

Tristan Douglas a.k.a. Antwood released one of last year’s most intriguing electronic albums, Virtuous.scr, which showed him to be a deep-thinking producer with immense compositional skill and imagination.

Now, Antwood is back with his second record for Planet Mu. Sponsored Content takes a slightly more melodic approach and Antwood heavily edited his work to reduce any extraneous elements. The music is focused and lean with aural white space giving the songs space to breathe. Like Venetian Snares, Antwood is creating his own musical vocabulary.

by Sarah Zupko

6 Sep 2017


Photo: Jen Bail

Los Angeles folk-pop group Arrica Rose & the ...‘s touch on everything from rock to pop to Americana within their sound. In fact, “the ...‘s” refers to Rose’s penchant for shaking things up and bringing all sorts of collaborators and genres into their creative work. On the band’s new album, Low As the Moon, Rose stretches her wings further with the addition of some gentle electronic elements that help keep the mood warm and welcoming. Meanwhile, Rose’s dreamy and occasionally sultry vocals take center stage and seduce the listener.

by Jonathan Frahm

6 Sep 2017


In his contribution to the Americana scene, Thorp Jenson rides the line between Bruce Springsteen’s heartland rock and the character-based songwriting sentiment of artists like Taylor Goldsmith.

//Mixed media
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TIFF 2017: 'The Shape of Water'

// Notes from the Road

"The Shape of Water comes off as uninformed political correctness, which is more detrimental to its cause than it is progressive.

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