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by PopMatters Staff

2 Sep 2015

Chris Gerard: British synth-pop duo is best known for their 2010 single “Wonderful Life”, which became a substantial hit in Europe. Their third album, Surrender, is due in October, and they may have stumbled upon a breakthrough. “Lights” goes from sophisticated mid-tempo pop during the verses to a more upbeat dance vibe for the chorus. The dramatic and visually arresting video directed by Dawn Shadforth serves the song well. If given a chance, “Lights” could be the song to break Hurts to a wider audience. [8/10]

by PopMatters Staff

2 Sep 2015

Evan Sawdey: I had their EP Free Advice Column from 2013, and it was an otherworldly bedroom-dance experience, a mixing of genres and eras to create something familiar and new and the same time. This vein carries through with “Window Shades”, which, although a shade repetitious, remains curiously hypnotic, a slice of cut-and-pasted psychedelic flappercore, not beholden to any specific decade. Meg Remy is a star on the rise, so the fact she’s connected with 4AD Records doesn’t surprise me. Not going down as anyone’s jam of the year, but it leaves me intrigued enough to pursue more. [7/10]

by Sarah Zupko

2 Sep 2015

“FF Bada” is an exciting, funky instrumental that draws inspiration from the worlds of electronic, jazz and new classical. The song has a great sense of movement, feeling simultaneously like a master jam session and a carefully constructed composition. “FF Bada” is equally for the brain and the feet, like all of Battles’ best tunes. The group continues to smash genre barriers in a successful effort to create truly original music.

by Adrien Begrand

2 Sep 2015

New York R&B singer Jasmine Jordan returns this week with her new single and video “Smile”, her first new music since her debut EP Time Travel. Continuing in the same direction as the EP—putting a contemporary spin on classic, vibrant 1970s urban soul—the track and video focuses more on the ebullience of the music, making for an upbeat, effervescent track.

by Steve Horowitz

1 Sep 2015

Steve Horowitz: This track is crammed. The lines range from everything from the biographical (“You want to know me I put my life in a song”) to the existential (“No love in the land of the lazy”) to the mundane (“I like rice, Basmati”) without ever dropping the beat or straying from the icy landscape of the sonic construction. There’s something happening here. Resolution may not be reached, but it’s a step. No wonder it ends with a sour vocal. Growth is painful. [7/10]

//Mixed media

Country Fried Rock: Drivin' N' Cryin' to Be Inducted into the Georgia Music Hall of Fame

// Sound Affects

""If Drivin' N' Cryin' sounded as good in the '80s as we do now, we could have been as big as Cinderella." -- Kevn Kinney

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