Latest Blog Posts

by Jonathan Frahm

6 Sep 2017

Photo: Jonathan Boncek

“The tale of ‘Coyote’ is heavy,” says John Keith Culbreth (Cubby) of Stop Light Observations.

Over the past four years, the indie rock group from Charleston has amassed over 100,000 collective followers across social media. They’ve come a long way since Cubby and Will Blackburn began their band before their 2013 debut release, Radiation.

by Jedd Beaudoin

5 Sep 2017

Photo: Marisa Boras

Influenced by the likes of the Kooks, Arctic Monkeys, and a dash of original glam, Nashville’s Kid Freud refines the sometimes sardonic but always sensitive lyrical vision of Replacements Paul Westerberg and Tommy Stinson at their bratty best via “Shut Up & Kiss Me”. The track exemplifies an uncanny ability to know the difference between wearing your heart and your snot on your sleeve.

by Jonathan Frahm

5 Sep 2017

Photo: David Angel (Courtesy of artist)

Brushes with modernity have evolved the folk movement in a multitude of ways both commercialized and utterly unexpected. It’s safe to say that Jon Boden‘s work falls into the latter category. In this case? It’s not a bad thing.

by Cole Waterman

1 Sep 2017

Photo: Evan Zott

A few months shy of a year since they released their debut full-length, sensory intoxicating pop duo Valley Hush have released a new single. The very title, “Goodbye, Sweet Mango”, is quintessential Valley Hush, conveying the marble cake of winsomeness and sweetness defining their sound.

by Jonathan Frahm

1 Sep 2017

Lenore. is a female-fronted folk band that possesses a stellar blend of harmonic perfection and driving instrumentation in their music.

Describing themselves as “witch-folk”, the band was created after a chance meeting between singer-songwriters Rebecca Marie Miller (ex-Mynabirds) and Joy Pearson culminated into instant friendship. The group’s central theme is to challenge the patriarchal norms of the music industry, fueled by the challenges both of its founders had personally encountered throughout their journeys as artists up until now.

//Mixed media

TIFF 2017: 'The Shape of Water'

// Notes from the Road

"The Shape of Water comes off as uninformed political correctness, which is more detrimental to its cause than it is progressive.

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