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Wednesday, Feb 18, 2015
Squarepusher conjures a world of hectic electronic darkness with its latest recording.

The English electronic project Squarepusher, helmed by Tom Jenkinson, will release its 14th studio LP, Damogen Furies, via Warp on 21 April. This LP follows 2012’s Ufabulum. With this album, Squarepusher intends “to explore as forcefully as possible the hallucinatory, the nightmarish and the brutally visceral capacities of electronic music”, to use his own words.


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Wednesday, Feb 18, 2015
by PopMatters Staff
The easy-going vibes of Tightropes may hearken back to the '70s, but those golden tones are just the starting point for what's a current new album by Los Angeles' Tall Tales and the Silver Lining.

The easy-going vibes of Tightropes may hearken back to the ‘70s, but those golden tones are just the starting point for what’s a vibrant and current effort by Los Angeles’ Tall Tales and the Silver Lining. As frontman Trevor Beld Jimenez describes Tightropes, “It’s not a concept album by any means, but its themes are about an everyday person’s struggles and triumphs. Musically, it’s a nod to the stuff I grew up on: Jackson Browne, Carole King, Neil Young, and also bands that I discovered on my own like Felt and the Smiths.”


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Tuesday, Feb 17, 2015
With Animal Collective-esque vocal harmonies and a relaxed, island-ready rhythm, "Wrong Guy" is a spot-on lead-in to the group's forthcoming album.

Kin Cayo, meaning “family of small islands”, more than live up to their name. Both in rhythm and in melody they evoke an idyllic island environment, where one can put on the tunes with nothing to worry about other than keeping the piña coladas coming along. Such is true for this South Florida band’s newest track, “Wrong Guy”, which features reverbbed vocals a la Animal Collective and a swaying bass rhythm. As the song reaches its climax and the rhythm picks up, a strummed acoustic guitar enters, reinforcing the tropical vibes that emit from Kin Cayo’s songwriting.


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Tuesday, Feb 17, 2015
For a bleak yet wildly fun cabaret tale that mishmashes the styles of Gogol Bordello and Danny Elfman, Fable Cry's "Onion Grin" will do just the trick.

The Nashville-based quintet Fable Cry identifies its music as “theatrical-scamp-rock”. Like many genre names these days, it’s a head-scratcher, to be sure, but one look at the colorful music and costuming of these musicians is more than enough to give substance to the phrase. Looking like they rolled out of an alternate version of Terry Gilliam’s The Imaginarium of Dr. Parnassus reimagined by Tim Burton, Fable Cry spin inventive, cabaret-ready yarns that are given life by their palpable musical energy. Such is certainly the case for “Onion Grin”, the band’s newest tune, which tells a time-worn tale from an unfamiliar angle.


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Tuesday, Feb 17, 2015
The video for "This Town" captures Megafauna's prime ability to write an infectious and sharp riff.

Maximalist, the 2014 album by Megafauna, is a distinct step forward forward for this Austin, Texas trio. The record’s prog inclinations never hinder the preponderance of catchy hooks and riffs from coming through; on cuts like “Hug From a Robot”, frontwoman Dani Neff’s guitar playing is both impressive from a technical angle and conducive to getting the body moving—the perfect mix of brainy and brawny.


Below you can view the new video for the Maximalist cut “This Town”, which features a similarly cool riff and a healthy dose of body paint.


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