Latest Blog Posts

by PopMatters Staff

17 Apr 2017


Andrew Paschal: Coco Hanes wears all the trappings of adolescent garage pop, but “I Don’t Wanna Go” is more melodically astute than I at first expected. In the same way that “Girls Just Wanna Have Fun” couched a deeper yearning for freedom within its bubblegum frame, Hanes seems to be getting at a real conversation about independence even through her veil of carefree irreverence. [7/10]

by PopMatters Staff

14 Apr 2017


Andrew Paschal: The second season of Mr. Robot featured a scene similar to the “Ain’t It Funny” music video, with the characters locked in a twisted black comedy version of an old-school sitcom. Both clips vacillate between funny-creepy and actual creepy, using humor while also inverting and dissecting that humor. Danny Brown is excellent as always about highlighting substance abuse as the mental health problem it is while pointing out the way artists are in some ways encouraged to self-destruct for public entertainment. [8/10]

by Jonathan Frahm

14 Apr 2017


Back in 2015, Adrien Begrand described Moonsville Collective as having “undeniable chemistry to create rustic Americana that’s made to be heard in person, where the beer is flowing & the energy is palpable.” This much is still evident on their latest single, “LA County Line”.

On top of this, though, they’ve made some clear strides towards new sonic paths predating the release of their new EP, Moonsville II, as well. They bring things into a more modern soundscape this time around, focusing on smooth harmonies and consummate instrumentation married by a broader production.

The tune finds a sonic space tucked comfortably between artists like Old Crow Medicine Show while enjoying both the classic sentiment and more recent pop stylings of Avett Brothers balladry. It’s a relaxed, captivating alt-country song about finding your place outside of the bustle of city life and enjoying it.

Moonsville II releases April 21.

by Sarah Zupko

13 Apr 2017


Austin’s Culture Wars is a young band about to release their debut EP and they sport a fully-formed, radio-ready sound that blends heavy chugging guitars with foot stomping electronic beats. Frontman Alex Dugan is a charismatic singer with a distinctive rock voice that could fill stadiums. Imagine the Prodigy blended with Aerosmith and you get close to what Culture Wars is all about. Today, we are bringing you the first single from the Culture Wars EP releasing June 9th. Entitled “Money (Gimmie, Gimmie), it’s anthemic slice of electrorock that serves as a statement of purpose for a young group seeking success and also grapples with identity issues. The song is instantly memorable as is Culture Wars.

by Jonathan Frahm

13 Apr 2017


Photo: Donna Green

The duo Ryanhood has been all about proudly exhibiting their scrapes and scars for the world to see. This much couldn’t be any clearer than on Yearbook, their latest album released earlier this year. Ryan Green and Cameron Hood, two of Tucson’s most well-regarded artists, take this general fact about their artistic output and set it against an anthemic backdrop in their music video for “Alright Tonight”.

//Mixed media
//Blogs

Players Lose Control in ‘Tales from the Borderlands’

// Moving Pixels

"This is an interactive story in which players don’t craft the characters, we just control them.

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