Post-rock band Saxon Shore have announced plans to release their latest full-length through Japanese label & Records on April 15th. US and European release dates will follow shortly after. The group’s last four albums, three EPs and an LP, have all been issued through Philadelphia label Burnt Toast Vinyl.
Three songs from the new album are currently streaming on the band’s MySpace. The record is to be titled It Doesn’t Matter and features characteristically beautiful artwork, consisting of colorful lines in a geometric shape against a black background.
Laura Barrett follows up last year’s EP Earth Sciences with her first full-length on February 24th. Again she calls on her signature kalimba, creating warm atmospheres that have the feel of futuristic electronic music created with simple, old world tools. That comes across in spades on “Bluebird.”
1. Wood Between Worlds
3. Spoiler Alert
6. A Certain Major Vinylsky
8. The Sharper Side
9. Space Seed: The Musical
10. Escape To The Sun Dome
11. Rien a Declarer
12. To The Stars!
Apr. 8 - Salt Spring Island, BC - TBA+
Apr. 10 - Victoria, BC - 50/50 Collective+
Apr. 12 - Vancouver, BC - Little Mountain Studios+
Apr. 14 - Osoyoos, BC - TBA+
Apr. 17 - Calgary, AB - TBA+
Apr. 18 - Edmonton, AB - TBA+
Apr. 19 - Bruno, SK - All Citizens+
Apr. 21 - Regina, SK - The Exchange+
+ = w/ the Phonemes
Radiohead fans that call drummer Phil Selway their favorite member of the group, form a small but dedicated minority. As Tobias Fünke might say, “There are dozens of us. Dozens!” When I heard the news early last month that Selway was debuting some new material as part of Neil Finn’s Oxfam-supporting 7 Worlds Collide project, I was glad to hear that one of rock’s most reliable pacesetters would have a chance to do flex his creative muscles outside of the yeoman’s work at his world-famous day job.
Last year’s In Rainbows provided ample evidence that Selway is in many ways his band’s secret weapon, but his guitar playing and lead singing at this year’s 7 Worlds Collide reunion reveal that he might have more tricks up his sleeve than even his hardcore fans suspected.
Thankfully, YouTube user Schro23 uploaded a video of Selway’s original tune “Family Madness”, as performed in Auckland last month. The song—a slow number reminiscent of Radiohead’s “Follow Me Around”—manages to out(Fleet)fox the Fleet Foxes, as late-oughts harmony-laden folk tunes go. Not a bad start, Mr. Selway!
The song should appear on the upcoming 7 Worlds Collide album, which follows Finn’s 2001 live album of the same name.
If there’s one thing Rockstar Games knows how to do, it’s get its product noticed; anyone who’s been following the rollout of their just-released expansion to massive 2008 hit Grand Theft Auto IV knows that such a maxim even applies to downloadable add-ons.
What Rockstar has here is a news brief from “Weazel News”, the fictional news station dreamed up for the Grand Theft Auto universe. It functions well as a trailer because it sets up the story of the add-on in a fairly unconventional way. Where it slips is in the bookended news flashes, whose juvenile brand of sub-Onion humor simply exists to make teenage boys guffaw and their moms gasp in horror. Granted, this sort of “shock” humor is par for the course when it comes to Rockstar, but at least they’re presenting their game in a way that sets it, and them, apart.
Submitted to the Unnecessary Remakes of 2009 Sweepstakes: Tony Scott’s amped-up-looking cover of Joseph Sargent’s great 1974 thriller The Taking of Pelham 123. With Denzel Washington as Walter Matthau and John Travolta as Robert Shaw. In theaters June 12.