Call for Essays About Any Aspect of Popular Culture, Present or Past

 
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Monday, Oct 2, 2006
by PopMatters Staff

“Sugar Hill’s early recordings possessed an aural purity that met people’s hunger for authenticity and also seemed fresh and new. There was something honest about the sounds of the banjo, dobro, fiddle, and mandolin, and the way they mixed together.”—Steve Horowitz—PopMatters feature, “Sugar Hill Records: 25 Years and Going Strong”.


Tony Rice (guitar), Jerry Douglas (dobro), Sam Bush (mandolin), Mark O’Connor (fiddle)—“Wonder Where You Are Tonight”


Doc Watson, Ricky Skaggs & Friends—“Tennessee Stud”


Guy Clark—“L.A. Freeway”


Ricky Skaggs, Jerry Douglas & Friends—“Wheel Hoss”


Sonny Landreth—“All About You”


Sam Bush and Friends—“Molly and Tenbrooks”


Tim O’Brien, Ronnie McCoury & Chris Thile—“Bluegrass Stomp”


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Friday, Sep 29, 2006
by PopMatters Staff

“Though the Byrds only reached the popular heights of the Beatles, the Who, and the Stones for a short period in the mid-’60s, their influence is arguably greater than any of their peers.  Their folk jangle still resonates in bands like Tom Petty and the Heartbreakers, R.E.M., and the Jayhawks.  And, if you wanted to take a wider view, you could say that everyone labeled red dirt, space rock, cosmic rock, alt-country, or just plain folk owes some debt to the Byrds.”—Michael Franco, PopMatters review: The Byrds, There Is a Season


The Byrds—Turn, Turn, Turn [The Ed Sullivan Show, 1965]


The Byrds—Mr. Tambourine Man [The Ed Sullivan Show, 1965]


The Byrds—I’ll Feel a Whole Lot Better [Hullabaloo, 1965]


The Byrds—All I Really Want to Do [Top of the Pops, 1965]


The Byrds—The Bells of Rhymney


The Byrds—Eight Miles High


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Friday, Sep 29, 2006
by PopMatters Staff

PopMatters Sponsor


A GUIDE TO RECOGNIZING YOUR SAINTS opens in theatres in New York and LA this Friday.


This Sundance and Venice Film Festival award winner stars Robert Downey Jr., Shia LaBeouf, Chazz Palminteri, Step Up’s Channing Tatum,  Dianne Wiest and Rosario Dawson. 
[Official Web Site | MySpace]


A Guide To Recognizing Your Saints—Official Trailer


Trailer at Apple


Sundance Channel’s Festival Dailies - In the Can: A Guide to Recognizing Your Saints


A Guide To Recognizing Your Saints - 100 Degrees


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Tuesday, Sep 26, 2006
by PopMatters Staff

OOIOO
Uma [MP3]


Tiga
(Far From) Home [MP3]


TV on the Radio
Wolf Like Me [MP3]


Tom Waits
Bottom of the World [MP3]


Ben Kweller
I Don’t Know Why [MP3]


Emily Haines
Doctor Blind [MP3]


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Friday, Sep 22, 2006
by PopMatters Staff

“Music historians may not go out of their way to be kind to Death Row Records or its founder, Marion “Suge” Knight. Due to the murders of Tupac Shakur (“2pac”) and Christopher Wallace (“the Notorious B.I.G.”), Knight and his company may go down in history as the record label that went ballistic in the infamous East Coast-West Coast beef. But when you listen to Snoop Dogg’s Tha Doggfather, the Murder Was the Case soundtrack, and a compilation of Dr. Dre’s Death Row gems called Chronicles, one thing is clear: Death Row brought us some of the most compelling music of the 1990s.”
“The Dogg, The Doctor, & Death Row” by Quentin B. Huff [PopMatters feature]


Dr. Dre and Snoop Dog—Nuttin’ But a ‘G’ Thang


2Pac—California Love


2Pac and Snoop Dogg—2 of Amerikaz Most Wanted [live]


Dr. Dre—Fuck Wit Dre Day (And Everybody’s Celebratin’)


Snoop Dogg—Murder Was the Case


2Pac—Changes


Dr. Dre—Let Me Ride


Snoop Dogg—Doggy Dogg World


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