Latest Blog Posts

by L.B. Jeffries

28 May 2010



The Talking Heads song “This Must Be The Place” has always been a favorite for fans. It has a catchy beat that you can dance to and great moments of inflection that you can sing along with. The lyrics have a kind of weird intensity to them, “I guess that this must be the place” is not the typical gushing praise you’d expect in a pop love song. By the second verse, “If someone asks this is where I’ll be” and “You’ll love me till my heart stops” are shouted to emphasize how much time develops a situation. The slow acceptance of a relationship that feels awkward but grows familiar and loving is something that resonates with all of us.

Which is what makes Miles Fisher’s debut music video a particularly stand-out effort. Fisher is an amazing stand-in for Christian Bale and if you follow the Vimeo link you can see some other spoofs showing his talent at capturing the Hollywood ‘White Guy’ character. The song itself is a solid cover of “This Must Be the Place”, minimalizing certain areas and fleshing out others to make it into a more modern dance tune. But the video itself, which parodies various scenes from the cult classic American Psycho, takes the sense of discomfort and longing in the song’s lyrics in disturbing directions. The opening lyrics of loneliness are sung by Fisher as he dances around the apartment alone with his axe standing for air guitar. A limo pulls up and he extends a folded bill to a prostitute while mouthing, “never for money, always for love”. In the window’s reflection she mouths, “I love the passage of time.” Little moments like this are scattered throughout the video, poking at the song’s conception of love when embraced by a modern day Jack the Ripper. As the film pointed out and the music video continues to examine, even monsters enjoy pop music.

by Alistair Dickinson

28 May 2010


Swedish pop-rebel Robyn is releasing three(!) albums in 2010, and the single “Dancing on My Own” comes from the first of those, Body Talk PT. 1. The track, which uses a glimmering-techno backdrop to propel Robyn’s sad tale about watching the dude she has a crush on dancing with another chick, is apparently a result of “her love of inherently sad, gay disco anthems such as Ultravox’s ‘Dancing With Tears in My Eyes’, Sylvester and Donna Summer.” The video follows that theme pretty closely, as we watch Robyn pull off some super-aerobic dance moves while looking like she’s just about to cry.

by Alistair Dickinson

28 May 2010


Fedora-loving, Def Jam crooner Ne-Yo has returned with the first single off his upcoming album, Libra Scale. With “Beautiful Monster”, Ne-Yo, like so many of his current pop cohorts, seems to be making the move from electronic-influenced R&B to full on Ibiza-style dance music. While earlier hits like “Ms. Independent” mixed gleamy synths with his trademark harps and acoustic guitars, “Beautiful Monster” is a full-on slice of Euro-pop, built by Ne-Yo and his production friends, Stargate, entirely out of trance-y keyboard lines and a throbbing drumbeat. Ne-Yo’s Michael Jackson-esque wails and screams are still in full effect, however, so expect to hear this one blasting out of the speakers at pretty much every club for the rest of the summer.

by John Lindstedt

27 May 2010



The audition process can be a harrowing and embarrassing experience for any young actor, but at least young unknowns don’t have to worry about some botched tryouts leaking to the web. And then there’s poor Chris Klein. Always the bridesmaid, never the bride, Klein is usually a supporting player in hit movies like the American Pie movies and… I’m sure there’s another one somewhere, but he’s never really caught the public eye in a big way. He’s just famous enough for this terrible audition for Mama Mia to make serious rounds in the meme-verse (has that been used before? Can I coin it? Probably shouldn’t? OK). It really is a must watch. Klein’s usual affable oafishness is put to the test when he tries to “emote”, for the lack of a better word. And those eyes, my god, those eyes.

But like any good sport, Klein took the opportunity to get in on the joke. He recently appeared in this Funny Or Die video showing   more of his leaked “auditions”. That’s some redemption right there.

by Benjamin Aspray

27 May 2010


Sometime last week, Titusandronic.us, a great fan site for the equally great Titus Andronicus, posted an unofficial album of previously-unreleased, or out-of-print, recordings from the band, including a few live cuts. If you thought their studio work sounded scrappy, wait till you hear some of the nearly-inscrutable, stereo blow-outs on Feats of Strength. Or don’t. Newbies should go for The Monitor, their phenomenal (and wrongly dismissed, by this very website) Civil War concept album from earlier this year. The devastating version of “To Old Friends and New” on The Monitor, the first of which appeared on the first Titus Andronicus EP and reappears here, is a fitting illustration of how far the band has come in just half a decade.

As lead singer Patrick Stickles says on his band’s official blog, it’ll give you a chance to “tell all yr [sic] friends, ‘See? I told you they sucked!’” That being said, serious devotees might get a kick out of their rambunctious cover of the Modern Lovers’ “Roadrunner”, and Stickles’ solo version of “No Future”, from Titus Andronicus’ first full-length, The Airing of Grievances, strips naked a ballad that was emotionally bare to begin with.  In any case, the curious should go download it for free here.

//Mixed media
//Blogs

Cage the Elephant Ignite Central Park with Kickoff for Summerstage Season

// Notes from the Road

"Cage the Elephant rocked two sold-out nights at Summerstage and return to NYC for a free show May 29th. Info on that and a preview of the full Summerstage schedule is here.

READ the article