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Thursday, Feb 22, 2007
by PopMatters Staff

Future Clouds and Radar —"Drugstore Bust"
From Future Clouds and Radar: Self-Titled


Listen to “Drugstore Bust”

Heavily influenced by cameras, the asterisk (*), loss of any kind and Bill Monroe’s falsetto, Future Clouds and Radar is the latest creation of Robert Harrison, best known as the leader of Austin cult-garage-heroes, Cotton Mather. Harrison and Cotton Mather were the sleepy underground pioneers of the late ‘90s, having toured with Oasis (during the band’s heyday) they were hailed by NME as perhaps “the best guitar band since Supergrass”, and were most recently featured on Little Steven Van Zandt’s Coolest Songs in the World Vol. 1.


Radical Face —"Glory"
From Ghost on Morr Music


Listen to “Glory”

This record started with a simple idea: What if houses had memories? What if, when we lived in them, our stories bled into the walls and became a part of the house? What if our ghosts were always going to haunt the places we’ve lived, along with everyone else who’s lived there? In comparison to the very song-oriented debut by Electric President, 24-year-old Ben Cooper’s alter ego (Radical Face) and second musical affair of the heart, Ghost, has become a songwriter-album. Or rather a song-writing album, the tracks as carefully arranged interiors, chamber folk, pocket symphonies, passionate
melodies.


The Go Find —"Dictionary"
From Stars on the Wall on Morr Music


Listen to “Dictionary”

When Dieter Sermeus set out to write a follow-up for his 2004 The Go-Find debut Miami, he felt he wanted to move away from solitary song-writing and recording, and involved his live band from a very early stage. Together, they crafted a collection of (quote) “good-sounding danceable pop tunes” in a studio in his Antwerp home-town, which provided a warm and friendly environment, full of ancient keyboards and rare Moogs.


Willy Mason —"When The River Moves On"
From If the Ocean Gets Rough on Astralwerks


Listen to “The River Moves On”

If the Ocean Gets Rough is filled with 11 of Willy’s best songs to date, some immediately direct, others more subtle and evocative. With more developed and ambitious songwriting and instrumentation, Mason joins personal tales with socio-cultural commentary, effortlessly expressing his own experiences while making them our own.


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Thursday, Feb 22, 2007
by PopMatters Staff

 


“GusGus once again throw into the flames a track by Daniel Agust “Moss”, a superb addition to the magnificent vocal landscape of Earth. Pall Oskar, the discodiva # 1, lends his smooth voice on “Need In Me”, as well as on “Hold You” with the Detroit fire Aaron-Carl. Omar Gudjonsson lays his calloused fingers over “You’ll never Change” and inspires both President Bongo and Veiran to do handle their own guitar necks in “Forever”. Also our very own “Professor” Ottarr Proppe pukes out the welcome words to “Forever”. Mr. The President himself graces golden larynx through the track “If you don’t jump, you’re English” flashing rusted guitar samples from the everlasting Icelandic 80’s punk band Purrkur Pillnikk and hammered power hi-hats by Helgi “HitHat” Helgason. The rest is history… Well… except for the remixing. That’s part history and part future. These recombinitations and malnourished destructures were and are gonna be manhandled by Moonbootica, Diringer, Mark Bell, Thor, DMS, Patrick Chardronnet, Tim Deluxe, Jack Schidt, Greg Churchill and of course the in-house crew, Biggi Veira and the albino President Bongo.”—Pineapple Records (Iceland)

“Moss” Remixes [Streaming]
GusGus interview [MP3]


GusGus - Moss


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Wednesday, Feb 21, 2007
by PopMatters Staff

Neil Young: Live At Massey Hall (release date: March 13), produced by Young and the late David Briggs, is the second Reprise Records release in the Neil Young Archives Performance Series, following last year’s Live at the Fillmore East album. Both are in anticipation of the Archives Volume I collection, due this fall. That eight-CD, two-DVD audiobiography will include Young’s music from 1963 to 1972, and feature a treasure trove of previously unreleased recordings, both studio and live, along with concert footage and rare memorabilia from the first decade of Neil Young’s long and unequaled career.


“This is the album that should have come out between After the Gold Rush and Harvest,” Young says now. “David Briggs, my producer, was adamant that this should be the record, but I was very excited about the takes we got on Harvest, and wanted Harvest out. David disagreed. As I listen to this today, I can see why.”


Official Site
MySpace


 


Tagged as: neil young
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Monday, Feb 19, 2007
by PopMatters Staff

Ted Leo and the Pharmacists—"The Sons of Cain"
From Living with the Living on Touch and Go


Listen to “The Sons of Cain”

For their fifth full-length release (and first with Touch and Go), Ted Leo and the Pharmacists met up with Brendan Canty (Fugazi) at Long View Farms to iron out a new set of anthems that arrive with a confident and outspoken immediacy. With Living with the Living, Ted & Co. wipe clean the slate that once held names like Weller, Strummer and Bragg and indulge some of their farthest-reaching musical ambitions.—Touch and Go


Liberacion—"Move Your Body"
From Liberacion: The Songs of the New Cuban Underground on Petrol


Listen to “Move Your Body”

After managing the rock band INXS to global superstardom, Petrol’s founder, Chris Murphy, launched the Australian-based record label in 2000 to share his global vision with music fans around the world. Murphy envisioned Petrol as a cultural beacon to shine on the world’s best music, delivered direct to fans to enjoy with no passport required. Since its inception, Petrol has been at the forefront of the digital music business around the world, with a record of consistent international iTunes chart successes and a focused ethos and mission that has evolved into a trusted Petrol brand signature. 2007 promises more cutting-edge, quality releases from Petrol/EMI, beginning with the February 6 release of Liberacion: The Songs of the New Cuban Underground, a DVD that captures the artists leading Cuba’s most cutting-edge music scene.—Petrol


Willard Grant Conspiracy—"Skeleton" and "Flying Low" From Let it Roll on Reincarnate Listen to “Skeleton” Listen to “Flying Low”

Willard Grant Conspiracy is the musical collective that surrounds songwriter Robert Fisher. With their last five records (Regard the End, Everything’s Fine, Mojave, Flying Low, and 3am Sunday at Fortune Otto’s) and their brand new album Let it Roll, the band has quietly gone about putting together one of the most impressive catalogs in the alt.country / post punk-folk rock genres. The records have been met with critical acclaim and have been included in many critical best-of lists.—Reincarnate


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Sunday, Feb 18, 2007
by PopMatters Staff

Stiff Records—the original indie label that launched the careers of Elvis Costello, Madness and Shane MacGowan—re-releases six classic albums on April 3 2007.


Wreckless Eric—Big Smash

…features his classic single, “Whole Wide World” as featured in the latest Will Ferrell movie Stranger Than Fiction – “the gem of the collection” according to the New York Times.  Eric Goulden has just returned from an extensive US tour and this double CD compiles the best moments from his albums, Wreckless Eric and the Wonderful World of Wreckless Eric, both released in 1978.  Big Smash also includes rare tracks, B-sides, imports and a new, off-the-wall commentary from the man himself.

Preview songs from this album 


Tracey Ullman—You Broke My Heart In Seventeen Places

This is the first ever CD release for Tracey’s debut album, which originally sold over 150,000 copies back in the early ‘80s.  With hits like “Breakaway” and “Move Over Darling”, Tracy built a major pop career in the UK before moving to the US and HBO to build an equally major TV career.  This album has always been sought after by Kirsty MacColl fans, for her contributions that are evident throughout, not least on Tracey’s cover of MacColl’s classic “They Don’t Know”.  Includes four bonus tracks and new sleeve notes.

Preview songs from this album 


Rachel Sweet—Fool Around

The one they call the original Joss Stone, Rachel was 16 when she recorded her debut album of belting R&B for Stiff in 1978.  Here it finally is on CD with bonus tracks and deluxe packaging.  Rachel had been discovered on a Stiff trade mission to the thriving alternative music scene of Akron, Ohio, that lead to her first release for the label—a contribution to an Akron compilation that also featured Jane Aire, the Waitresses and the Bizarros—that was packaged in a scratch ’n’ sniff sleeve!  Like Tracey Ullman, Rachel moved into US TV but as a writer/producer working on—amongst others—Dharma & Greg and Seinfeld.

Preview songs from this album 


Dirty Looks—The Complete Stiff Years

This double CD compilation centres around Stiff’s biggest ever album release in the US—the self-titled debut from the Staten Island-based power pop trio that sold over 100,000 copies in 1980.  This three-piece came across like a feisty version of XTC playing, as they often did, CBGBs in the US and alongside fellow Stiff proto-punks Any Trouble and Tenpole Tudor in the UK.  Disc One is largely produced by Tim Friese-Green (Talk Talk) and Disc Two—centring around their second album, Turn It Up—is produced by the Motors’ Nick Garvey.  This deluxe package features 13 tracks available on CD for the first time, plus singles, B-sides and live tracks.

Preview songs from this album 


Any Trouble—Where Are All the Nice Girls?

A regular fixture in Nancy Griffith’s touring band, Clive Gregson is also often found performing as part of a trio with Eddie Reader and the Bible’s Boo Hewerdine. But it’s his early work on Stiff with Any Trouble that’s the stuff of legend. Like a looser, more upbeat version of Elvis Costello and the Attractions, this is a long awaiting CD issue for Any Trouble’s debut album, which originally appeared in 1980.  At that time Melody Maker declared it “recommended by this paper with an enthusiasm that probably left the group red at the neck with flustered embarrassment.”  More recently they’ve been described by Mojo as “a fine body of men… what fine songs too… gems from Clive Gregson’s formative years. Wonderful on vinyl, wonderful on CD.”

Preview songs from this album


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