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by Sarah Zupko

20 Jul 2009


Cornershop’s new video features a lot of old archival footage of English life, with a lot of reverse loops to create Monty Python-esque backwards silly walks. The UK group is self-releasing their latest album entitled Judy Sucks a Lemon for Breakfast on July 27th.

by PopMatters Staff

20 Jul 2009


Metric played the Letterman show on Friday, offering up a take on “Help I’m Alive” from their recent release Fantasies. PopMatters’ Daniel Rivera says, “Half an art-rock opus, half a post-pop frolic, Fantasies finds Metric and their illustrious front woman at a pivotal moment in their career. ‘If I stumble / Their gonna eat me alive,’ Haines confesses on album opener ‘Help, I’m Alive’. The LP follows suit with this type of self-effacing frankness, but goes a long way in not abandoning its more labored pathos.”

by PopMatters Staff

20 Jul 2009


Indie faves Blitzen Trapper play a live set for Morning Becomes Eclectic and chat with the KCRW host.

by Matt Mazur

20 Jul 2009


Give it up for my favorite red-headed chanteuse, debuting “Ophelia” (among five other classics) on KCRW’s legendary radio show. Tori is on the road now—on the west coast and slowly making her way out east and then on to Europe! If you’ve never experienced Tori live, the KCRW set is but a taste of her live set—which includes Jon Evans on bass and drum-meister Matt Chamberlain keeping time.

by Matt Mazur

20 Jul 2009


Ok, “girl power” is not new territory for Barrymore, and it is nice to see her breaking into the directorial boys club, but after a career-altering performance in Grey Gardens, this is what she has to offer? It looks fun, the politics look safe, and hopefully it will probably make her a lot of money to parlay into future endeavors, but everything about this looks stale and aimed toward the Sisterhood of the Traveling Pants crowd. But it is Drew Barrymore and she can be extremely charming. I’m torn.

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'True Detective': Maybe Tomorrow

// Channel Surfing

"True Detective, Season 2, Episode 3: Where does the kitsch end and the surreal begin?

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